Education - Theses Register | Irish Georgian Society

The Material Culture of Engraving in Dublin in the Late Eighteenth Century: The work of Patrick Maguire, c. 1769-1820

Colette Fitzpatrick
National College of Art and Design
School of Visual Culture
2014
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: Late 18th Century

Supervisor: Dr Paul Caffrey
15,000-20,000 words

Limerick gloves: 1780 - 1825

Liza Foley
National College of Art and Design
School of Visual Culture
2011
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: 18th Century to 19th Century

15,000-20,000 words

Meta-art: Scripting Discourse

Jessica Foley
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2008
MA

Subject: Art Theory
Period: Late 20th Century to 21st Century

Approx. 20,000 words

The Disc Root Cutting Machines of Pierce's of Wexford, Agricultural Machinery Manufacturers

Paul Fortune
National College of Art and Design
School of Visual Culture
2003
MA Design History and Material Culture

Subject: Agricultural Machinery
Country: Ireland
Period: 19th and 20th Century

Supervisor: Nicola Gordon Bowe
15,000-20,000 words

Reclaiming Remix: the Critical Role of Sampling in Transformative Works

Owen Gallagher
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2014
PhD

Subject: Art

Supervisor: Dr Paul O'Brien
80,000-100,000 words

A Missing Materiality: The Visual and Material Culture of the Irish Women's Suffrage Movement

Donna Gilligan
National College of Art and Design
School of Visual Culture
2016
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: 20th Century

Supervisor: Dr Paul Caffrey
15,000-20,000 words

The Paradox of Comic Creativity : Raymond Pettibon, Baudelaire, Comics and Mass Art

David Goldbold
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2007
PhD

Subject: Art Theory / Comics

80,000-100,000 words

The Architecture of Dublin's Neo-Classical Roman Catholic Churches, 1802-1862

Brendan Grimes
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2005
PhD

Subject: Architecture
Country: Ireland: Dublin
Period: 19th Century

Supervisor: Paul Caffrey

Out of Bounds: Constructions of Femininity in Western Cultural Discourse

Neasa Hardiman
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
1993
MA

Subject: Art Theory

Supervisor: Joan Fowler
Approx. 30,000 - 40,000 words

Shop Window to Showboat: South King Street 1970-1980

Ciara Harrison
National College of Art and Design
School of Visual Culture
2015
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: 20th century

15,000-20,000 words

The Architecture of Garinish Island, Co Cork: Bryce House- the Gardener's Cottage transformed

Bernice Harrison
National College of Art and Design
School of Visual Culture
2017
MA Design History and Material Culture

Subject: Architecture
Country: Ireland: Cork

Supervisor: Dr Paul Caffrey
15,000-20,000 words

The Surface of 'Far from Heaven'

Catherine Harty
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2009
MA

Approx. 20,000 words

Jewellery in the Kilkenny Design Workshops from 1963 to 1988

Breda Haugh
National College of Art and Design
School of Visual Culture
2012
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland: Kilkenny
Period: 20th Century

Supervisor: Dr Lisa Godson
15,000-20,000 words

A Fitting Profession: The Dressmakers of Dublin 1870-1920

Elaine Hewitt
National College of Art and Design
School of Visual Culture
2013
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: Late 19th and early 20th century

Supervisor: Dr Lisa Godson
15,000-20,000 words

The Role of the Habit in Constructing the Identity of the Nun: Habits Worn by the Sisters of Mercy c.1831-1950

Adele Hickey
National College of Art and Design
School of Visual Culture
2016
MA Design History and Material Culture

Subject: Dress, Material Culture
Country: Ireland
Period: 19th Century to 20th Century

15,000-20,000 words

Are You a Woman or are you a Nun?

Adelle Hickey
National College of Art and Design
School of Visual Culture
2015
MA Design History and Material Culture

Subject: Material Culture

15,000-20,000 words

James McKenna the Artist: a Career in Context

Niamh Hoare
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
1997
MA

Subject: Sculpture
Country: Ireland
Period: 20th Century

Supervisor: Susanne McNab
Approx. 20,000 words

The Structure of Metaphor and its Relation to the Visual Arts

Sinead Hogan
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
1995
MA

Subject: Art Theory

Supervisor: Anthony Fitzmaurice
Approx. 20,000 words

Prescribing Ideologies: Symptoms of Modernism and Modernity in Irish Government Health Campaigns 1950-1964

Nina Holmes
National College of Art and Design
School of Visual Culture
2012
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: 20th Century

15,000-20,000 words

The Collecting of Sevres in Ireland and the Formation of the National Museum of Ireland Collection

Rory Hutton
National College of Art and Design
School of Visual Culture
2015
MA Design History and Material Culture

Subject: Material Culture
Country: Ireland
Period: 19th Century

15,000-20,000 words

John ffrench. An Irish Ceramic Artist. His Life and Work

Peter Lamb
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2007
M.Litt.

Subject: Ceramics
Country: Ireland
Period: 20th Century

Supervisor: Dr Nicola Gordon Bowe

The Design and Consumption of Looking Glasses in Ireland in the Late 18th and Early 19th Century

Aoife Kavanagh
National College of Art and Design
School of Visual Culture
2003
MA Design History and Material Culture

Subject: Mirrors
Country: Ireland
Period: Late 18th Century and Early 19th Century

Supervisor: Paul Caffrey
15,000-20,000 words

Bracha L. Ettinger's Matrixial Theory and Aesthetics: Matrixial Flesh and the Jouissance of Non-Life

Christina Kinsella
National College of Art and Design
Faculty of History of Art and Design and Complementary Studies
2013
PhD

Subject: Material Culture
Country: Ireland
Period: 18th and 19th Century

80,000-100,000 words

Ireland of the Welcomes 1952-1960: the portrayal of Ireland as a tourist destination

Ditte Kummer
National College of Art and Design
School of Visual Culture
2007
MA Design History and Material Culture

Subject: Graphic Design History
Country: Ireland
Period: 20th Century

Supervisor: Dr Ciaran Swan
15,000-20,000 words

Education Theses Register —Faculty of History of Art and Design and Complementary Studies

The Material Culture of Engraving in Dublin in the Late Eighteenth Century: The work of Patrick Maguire, c. 1769-1820

Limerick gloves: 1780 - 1825

Meta-art: Scripting Discourse

The Disc Root Cutting Machines of Pierce's of Wexford, Agricultural Machinery Manufacturers

Reclaiming Remix: the Critical Role of Sampling in Transformative Works

A Missing Materiality: The Visual and Material Culture of the Irish Women's Suffrage Movement

The Paradox of Comic Creativity : Raymond Pettibon, Baudelaire, Comics and Mass Art

The Architecture of Dublin's Neo-Classical Roman Catholic Churches, 1802-1862

Out of Bounds: Constructions of Femininity in Western Cultural Discourse

Shop Window to Showboat: South King Street 1970-1980

The Architecture of Garinish Island, Co Cork: Bryce House- the Gardener's Cottage transformed

The Surface of 'Far from Heaven'

Jewellery in the Kilkenny Design Workshops from 1963 to 1988

A Fitting Profession: The Dressmakers of Dublin 1870-1920

The Role of the Habit in Constructing the Identity of the Nun: Habits Worn by the Sisters of Mercy c.1831-1950

Are You a Woman or are you a Nun?

James McKenna the Artist: a Career in Context

The Structure of Metaphor and its Relation to the Visual Arts

Prescribing Ideologies: Symptoms of Modernism and Modernity in Irish Government Health Campaigns 1950-1964

The Collecting of Sevres in Ireland and the Formation of the National Museum of Ireland Collection

John ffrench. An Irish Ceramic Artist. His Life and Work

The Design and Consumption of Looking Glasses in Ireland in the Late 18th and Early 19th Century

Bracha L. Ettinger's Matrixial Theory and Aesthetics: Matrixial Flesh and the Jouissance of Non-Life

Ireland of the Welcomes 1952-1960: the portrayal of Ireland as a tourist destination

Education Theses Register —
Faculty of History of Art and Design and Complementary Studies