Communicating Conflict Examining the language of photomontage and the visual expression of the Northern Ireland in the context of the ‘Troubles’ series by Sean Hillen
Dara McElligott Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Photomontage Country: Ireland Period: 20th Century
10,000 words
Some Thoughts on Photography with Reference to the Work of Don McCullen
Morven McFadden Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Photography Country: Various Period: 20th Century
10,000 words
The Lemanaghan Shrine
Shauna McFarland
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Applied arts: shrine
Country: Ireland
Period: 12th Century
10,000 words
Blood, Bones, Surgery and Corpses in Contemporary Art
Neasa McGarrigle
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Painting
Period: 16th to 21st Century
10,000 words
Reclaim, Recall, Reassess: A Study of the Work of Mildred Anne Bulter RWS RUA (1858-1941)
Caroline McGee
Trinity College Dublin
Department of History of Art and Architecture
2009
BA
Subject: Painting and Drawing
Country: Ireland
Period: 19th Century
10,000 words
How are visual representations of the Sublime portrayed in eighteenth and nineteenth century Romantic landscape painting: and moreover do such paintings exhibit authentic sublimity by either a Burkean or Kantian definition?
Lydia McGee Trinity College Dublin Department of History of Art and Architecture 2021 BA
‘Art for Ideology’s Sake’: Examining the Concept of Socialist Realism in the Art of Robert Ballagh
Fionnuala McGeough Trinity College Dublin Department of History of Art and Architecture 2008 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
The Political Mural in Belfast
Catherine McGlinchey Trinity College Dublin Department of History of Art and Architecture 1986 BA
Subject: Mural Country: Northern Ireland Period: 20th Century
10,000 words
The Genius of Childhood (?); a Critical Exploration into the Development of Child art, its Attributes and its Cultural Importance
Holly McGlynn Trinity College Dublin Department of History of Art and Architecture 2005 BA
Subject: Painting and Drawing Country: Ireland Period: 20th and 21st Century
10,000 words
The Architectural and Sculptural Origins of Santa Maria del Naranco
Sheena McGoran Trinity College Dublin Department of History of Art and Architecture 1996 BA
Subject: Architecture and Sculpture Country: Spain Period: 9th Century
10,000 words
Decoding Domesticity: Artistic Representations of Women in the Domestic Space
Anna McGowan Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting, Drawing, Sculpture and Installation Country: Various Period: 17th, 19th, 20th and 21st Century
10,000 words
Nietzche and Brucke: The Influence of Friedrich Nietzche’s ‘Thus Spake Zarathustra on the art of the Brucke Group
James Patrick McGrath Trinity College Dublin Department of History of Art and Architecture 2013 BA
Subject: Sculpture, Painting, Prints and Drawing Country: Germany Period: 20th Century
10,000 words
Modernised Mythologies: An Interpretation of the Transformation of Mythological Paintings in the Seventeenth Century
Anna McGreevy Trinity College Dublin Department of History of Art and Architecture 2009 BA
Subject: Painting, Drawing and Sculpture Country: Holland, Italy and Spain Period: 17th Century
10,000 words
Crosses, Culture and the Sagas - High Crosses in the Eyes of Arthur Kingsley Porter
Eilise McGuane
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture and Art Criticism
Country: Ireland
Period: 8th to 12th and 20th Century
10,000 Words
TB, Modernism and The Pursuit of a Curative Environment: The Architecture of the Galway Regional Sanatorium
Emma McHugh Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Architecture Country: Ireland Period: 20th Century
10,000 words
A Critical History of Ireland’s Involvement in the Venice Biennale, Focusing on the Issues of Nationality and Politics that Inform this Institution’s Structure
Rachel McIntyre Trinity College Dublin Department of History of Art and Architecture 2010 BA
Subject: Various Country: Ireland Period: 20th and 21st Century
10,000 words
The Portrayal of Women as Victims: A discussion of the works of F.E.McWilliam, Catherine McWilliams and Rita Duffy
Cialann McKeating Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
Elsa Schiaparelli, Salvador Dali and The Surrealists
Molly McKeever Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting, Photography and Fashion Country: France, America, Spain and Italy Period: 20th Century
10,000 words
Jim Fitzpatrick and the Tuathe de Danann
Ciara-Ann McKenna
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting
Country: Ireland
Period: 20th and 21st Century
10,000 words
Tate Modern: An Assessment of the Newest International Museum of Modern Art
Andrea McKenna
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting and Sculpture
Country: Great Britain
Period: 21st Century
10,000 words
Castletown House A British Architectural Perspective
Myles McKenna Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Architecture Country: Ireland and England Period: 18th Century
10,000 words
Contextualising the Silk Wall-Hangings in the Red Drawing Room at Castletown House
Laura McKenna Trinity College Dublin Department of History of Art and Architecture 2018 BA
Subject: Architecture and Textiles Country: Ireland Period: 18th Century
10,000 words
The Triumphal Arch in Ireland
Rebecca Eileen McKeon
Trinity College Dublin
Department of History of Art and Architecture
2004
BA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
10,000 words
A Study of Caravaggism in the 17th Century What is more Caravaggio than Caravaggio?
Rachel Elizabeth McKeon Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Painting Country: Italy Period: 17th Century