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B.A.

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The Collection of Busts of Roman Emperors and their Families in the Royal Irish Academy, Dublin

Thomas Duffy
Trinity College Dublin
Department of History of Art and Architecture
1984
BA

Subject: Sculpture
Country: Ireland
Period: 18th and 19th Century

10,000 words

The Art of Storytelling: P.J. Lynch’s Illustrations

Jennifer Duffy
Trinity College Dublin
Department of History of Art and Architecture
2015
BA

Subject: Illustration and Graphic Art
Country: Ireland
Period: 20th and 21st Century

10,000 words

How the Poor and the Peasants were portrayed in Dutch Seventeenth Century Art in the works of Adriaen Pietersz van de Venne (1589-1662), Adriaen Jansz van Ostade (1610-1685) and Rembrandt Harmenszoon Van Rijn (1606-1669)

Carolann Duggan
Trinity College Dublin
Department of History of Art and Architecture
2006
BA

Subject: Painting, Drawing and Etching
Country: Netherlands and Flanders
Period: 17th Century

10,000 words

Constellations of the Unconscious: Rethinking Automatism

Katie Duggan
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Drawing
Country: Spain
Century: 20th Century

10,000 words

The History and Archtiecture of Granagh Castle, County Kilkenny

Bairbre Duggan
Trinity College Dublin
Department of History of Art and Architecture
1991
BA

Subject: Architecture
Country: Ireland
Period: 14th- 16th Century

10,000 words

‘Art for the Nursery has become Art Indeed’ Children’s Book Illustration in late Victorian England

Lucie Duggan
Trinity College Dublin
Department of History of Art and Architecture
2012
BA

Subject: Book Illustration
Country: England
Period: 19th Century

10,000 words

Turning Science into Art: The Use of Artistic Motifs in Eadweard Muybridge’s Animal Locomotion Series (1884-87)

Jennifer Duignam
Trinity College Dublin
Department of History of Art and Architecture
2012
BA

Subject: Photography, Painting and Sculpture
Country: England and America
Period: 19th Century

10,000 words

Mirror, Mirror on the Wall, Being Some Reflection on the Uses of Mirrors and Looking Glasses in Paintings and Literature of the Past, with Particular Focus on the 19th Century

Orla Dukes
Trinity College Dublin
Department of History of Art and Architecture
1993
BA

Subject: Painting
Country: Various
Period: 19th Century

10,000 words

T.C.D. MS E.i.40 A study of the Illustrations and the drawing style of Matthew Paris

Thomas Duncan
Trinity College Dublin
Department of History of Art and Architecture
1981
BA

Subject: Manuscript
Country: England
Period: 13th Century

10,000 words

The Rise and Fall of Rosc

Anna Dunleavy
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Painting
Country: Ireland
Period: 20th Century

10,000 words

“A Publick [sic] Library Forever” - Marsh’s Library

Mildred Dunne
Trinity College Dublin
Department of History of Art and Architecture
1995
BA

Subject: Architecture
Country: Ireland
Period: 18th- 20th Century

10,000 words

Pollock and his Three Dealers: To What Extent did the Different Approaches of Guggenheim, Parsons and Janis Affect his Artistic and Commercial Success?

Matilda Dunne
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Painting
Country: America and Europe
Century: 20th Century

10,000 words

The Representation of Women and Music in Seventeenth Century Dutch Art

Maureen Dunne
Trinity College Dublin
Department of History of Art and Architecture
2014
BA

Subject: Wood, Engraving and Prints
Country: England, Ireland and Oceania
Period: 19th and 20th Century

10,000 words

Deconstructing Disney; Cultural connotations and technical wizardry

Nicola Dunphy
Trinity College Dublin
Department of History of Art and Architecture
1997
BA

Subject: Animation
Country: USA
Period: 20th Century

10,000 words

An Eighteenth-Century Irish Provincial Townhouse: The Case of the Barlow House

Aisling Durkan
Trinity College Dublin
Department of History of Art and Architecture
2014
BA

Subject: Architecture
Country: Ireland
Period: 18th Century

10,000 words

Bellori and the Language of Art

Ciarán Durkan
Trinity College Dublin
Department of History of Art and Architecture
2007
BA

Subject: Architecture, Painting and Theory
Country: Italy
Period: 17th Century

10,000 words

St Doulagh’s Well: A Study of its Context and the Origins of its Form

Aisling Durney
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Architecture
Country: Ireland
Century: 17th Century

10,000 words

Monkeys, Bandwork and Ceiling Design: The life and work of Jean Berain

Soerscha Dyon
Trinity College Dublin
Department of History of Art and Architecture
2009
BA

Subject: Ceiling Decoration / Design / Stuccowork
Country: France
Period: 17th to 18th Century

10,000 words

The influence of Japanese Art on the Work of Irish Artist Louis le Brocquy with Specific Reference to Ukiyo-e Printing and the Art of Sumi-e Ink Printing

Chloe Rosalind Edwards
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Painting
Country: Ireland and Japan
Century: 20th Century

10,000 words

Spaces of the Psyche; an Exploration of German Expressionist Film Architecture

Laura Egan
Trinity College Dublin
Department of History of Art and Architecture
2005
BA

Subject: Film architecture
Country: Germany
Period: 20th Century

10,000 words

Bob Quinn’s Conamara - Documenting an Era

Orlaith Egan
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Photography
Country: Ireland
Period: 20th Century

10,000 words

The Venetian Monster: An Historical and Visual Analysis of the Ornament of the Wall- Veil in Venetian Renaissance Architecture 1480-1530

Ciara Egan
Trinity College Dublin
Department of History of Art and Architecture
2017
BA

Subject: Architecture
Country: Italy
Period: 15th- 16th Century

10,000 words

Lyons. The Creation of an Irish Country Seat

June Eiffe
Trinity College Dublin
Department of History of Art and Architecture
1983
BA

Subject: Architecture
Country: Ireland
Period: 18th and 19th Century

10,000 words

Catching the Eye: Function and Meaning of Marginal Imagery on Late Medieval Tomb Sculpture

Eimear McDonagh
Trinity College Dublin
Department of History of Art and Architecture
2014
BA

Subject: Sculpture
Country: Ireland
Period: 15th and 16th Century

10,000 words