Alisson Mae McConkey Trinity College Dublin Department of History of Art and Architecture 2016 BA
Subject: Painting and Sculpture Country: Italy and Greece Century: 20th Century
10,000 words
Renaissance de La Borne: A Study of the Period of Transition From Traditional Pottery-Making Village to Centre of Contemporary Ceramic Creation
Patrick M. McCoy Trinity College Dublin
Department of History of Art and Architecture
1991
PhD
Subject: Ceramics
Country: France
Body Image Identity and Exploration of the Self: A Case Study into the Work of Niamh Hannaford
Elena McCrory Trinity College Dublin Department of History of Art and Architecture 2023 BA
Subject: Painting, Performance art Country: Ireland Period: 21st Century
10,000 words
A General Examination of the Spirituality Behind the Icon and its Implications for Western Christian Theology and Practice
Andrew McCroskery Trinity College Dublin Department of History of Art and Architecture
1999 MPhil
Subject: Painting
Complexity and Simplicity in the Plan of San Carlo Alle Quattro Fontane
John McCrossan
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Architecture
Country: Italy
Period: 17th Century
10,000 words
Francesco Borromini's Drawings of San Carlo alle Quattro Fontane in the Context of Architectural Practice in 17th-Century Rome
John McCrossan Trinity College Dublin
Department of History of Art and Architecture
2017
PhD
Subject: Architecture
Country: Ireland
Period: 16th Century
Supervisor: Prof. Christine Casey Approx. 60,000 - 80,000 words
Landscape History and Management of the Phoenix Park 1800-1880
John McCullen
Trinity College Dublin
Department of History of Art and Architecture
2006
PhD
Subject: Landscape
Country: Ireland: Dublin
Period: 19th Century
Supervisor: Dr. Edward McParland Approx. 60,000 - 80,000 words
Gordon Lambert: M'canas of Modern Art
Dara McDermott
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Patronage, Painting, Drawing, Sculpture, Print.
Country: Ireland and Europe
Period: 20th and 21st Century
10,000 words
Le Nabi Oublie Mysticism, Primativism and the Feminine in the work of Paul Elie Ranson
Eadaoin McDonagh Trinity College Dublin Department of History of Art and Architecture 2018 BA
Subject: Painting Country: France Period: 19th and 20th Century
10,000 words
The Crosses of Castledermot: Context, Content and Meaning
Kate McDonald Trinity College Dublin Department of History of Art and Architecture 2013 BA
Subject: Sculpture Country: Ireland Period: 9th-11th Century
10,000 words
“The Other”- Nineteenth Century Orientalism and its Legacy with Particular Reference to a Contemporary Response by Shirin Neshat
Emma McDonnell Trinity College Dublin Department of History of Art and Architecture 2002 BA
Subject: Painting Country: Western Europe and Iran Period: 19th and 20th Century
10,000 words
Sex and the Labyrinth: The Cretan Myth of the Minotaur in Twentieth Century Art
Amy McDonnell Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Sculpture, Painting, Drawing, Mixed Media, Prints Country: France, Spain, USA Period: 20th Century
10,000 words
The Campanile at Trinity College, Dublin. A Historic and Stylistic Analysis
Mealla McDonnell Trinity College Dublin Department of History of Art and Architecture 1995 BA
Subject: Architecture Country: Ireland Period: 19th Century
10,000 words
The Architecture of John Roberts
Alyson McDonnell
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Architecture
Country: Ireland
Period: 18th Century
10,000 words
Communicating Conflict Examining the language of photomontage and the visual expression of the Northern Ireland in the context of the ‘Troubles’ series by Sean Hillen
Dara McElligott Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Photomontage Country: Ireland Period: 20th Century
Raphael McElligott Trinity College Dublin Department of History of Art and Architecture
2003 MLitt
Subject: Painting
Period: 20th Century
Some Thoughts on Photography with Reference to the Work of Don McCullen
Morven McFadden Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Photography Country: Various Period: 20th Century
10,000 words
The Lemanaghan Shrine
Shauna McFarland
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Applied arts: shrine
Country: Ireland
Period: 12th Century
10,000 words
Comparative Praxes: An Investigation into the Shifting Social Culture at the Irish Museum of Modern Art and its Relationship with the Director as Curator
Katharine McGale Trinity College Dublin Department of History of Art and Architecture 2014 MPhil (Irish Art History)
Subject: Irish Museum of Modern Art
Country: Ireland
Period: 21st Century
Supervisor: Dr Yvonne Scott
20,000
Blood, Bones, Surgery and Corpses in Contemporary Art
Neasa McGarrigle
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Painting
Period: 16th to 21st Century
10,000 words
Reclaim, Recall, Reassess: A Study of the Work of Mildred Anne Bulter RWS RUA (1858-1941)
Caroline McGee
Trinity College Dublin
Department of History of Art and Architecture
2009
BA
Subject: Painting and Drawing
Country: Ireland
Period: 19th Century
10,000 words
Catholic Church Architecture and Art Industry in Ireland, 1850-1922
Caroline McGee Trinity College Dublin
Department of History of Art and Architecture 2017
PhD
Subject: Architecture
Country: Ireland
Period: 19th Century to 20th Century
Supervisor: Prof. Christine Casey Approx. 60,000 - 80,000 words
How are visual representations of the Sublime portrayed in eighteenth and nineteenth century Romantic landscape painting: and moreover do such paintings exhibit authentic sublimity by either a Burkean or Kantian definition?
Lydia McGee Trinity College Dublin Department of History of Art and Architecture 2021 BA