The Whole Mosaic - John Hewitt and the Ulster Unit
Jamie Blake-Knox Trinity College Dublin Department of History of Art and Architecture 2008 MPhil (Irish Art History)
Subject: Mosaic Country: Ireland: Belfast Period: 20th Century
Supervisor: Dr Yvonne Scott 20,000
The Influences on Frederick William Burton’s ‘The Meeting on the Turret Stairs’
Mai Blount Trinity College Dublin Department of History of Art and Architecture 2009 MPhil (Irish Art History)
Subject: Painting Country: Ireland Period: 19th Century
Supervisor: Dr Philip McEvansoneya 20,000
Tim Burton’s Landscapes of the Mind
Cairin Bohn
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Film and Architecture
Country: America and Germany
Period: 20th Century
10,000 words
The Depiction of Fairs and Markets in Irish Painting, 1780-1820
Mary Jane Boland Trinity College Dublin Department of History of Art and Architecture 2006 MPhil (Irish Art History)
Subject: Painting Country: Ireland Period: 18th Century and 19th Century
Supervisor: Dr Philip McEvansoneya 20,000
The Cutting Edge? To what extent can female dress in Ireland in the 15th and 16th centuries be described as Mediaeval?
Mary Ann Bolger Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Tomb Sculpture Country: Ireland Period: 15th- 16th Century
10,000 words
The Relationship Between Italian Avant-Garde Movements 1900-1940 and the tradition of Figurative Painting in Italian Art
Valentina Bonato Trinity College Dublin Department of History of Art and Architecture 1999 BA
Subject: Painting Country: Italy Period: 20th Century
10,000 words
Drumcliffe High Cross
Deirdre Bonham
Trinity College Dublin
Department of History of Art and Architecture
1985
BA
Subject: Sculpture: high cross
Country: Ireland
Period: 11th Century
10,000 words
The Development of Russian Academy of Fine Arts in St. Petersburg during the Eighteenth Century in light of Contemporary Western European Artistic Education
Marina Boqautdinova Trinity College Dublin Department of History of Art and Architecture 2016 BA
Subject: Painting and Icons Country: Russia and Europe Century: 18th Century
10,000 words
The Dublin Art Market and How it Accomodates Contemporary Irish Artists
Jillian Bornemann Trinity College Dublin Department of History of Art and Architecture 1993 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
From Space to Place: Rachel Joynt and Public Sculpture in Dublin
Rachel Botha Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture Country: Ireland Period: 20th and 21st Century
10,000 words
The Role of Materials in Understanding and Perception in Sculpture of the 20th Century Comparing and Contrasting the Fluidity of Ideas and Design in the Sculpture of Modernist Barbara Hepworth and Post-Modernist Ruth Asawa
Marina Bourke Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Sculpture Country: England Period: 20th & 21st centuries
10,000 words
The Life and Work of Harry Clarke 1889 -1931
Nicola Gordon Bowe
Trinity College Dublin
Department of History of Art and Architecture
1982
PhD
Subject: Stained Glass
Country: Ireland
Period: 19th to 20th Century
Supervisor: Anne Crookshank
Approx. 60,000 - 80,000 words
Dublin's Forgotten Ivories: A study of 6 religious ivories in the National Museum of Ireland, Dublin 2
Ann Boylan
Trinity College Dublin
Department of History of Art and Architecture
1985
BA
Subject: Sculpture, Ivory carvings, diptychs and plaquettes
Country: Ireland, Dublin. France, Italy, England and Scandinavia
Period: 14th Century
10,000 words
Guido Reni: Workshop Practices and Painting Techniques
Aoife Brady Trinity College Dublin Department of History of Art and Architecture
2017
PhD
Subject: Painting, Workshop Practices
Country: Italy
Period: 16th Century to 17th Century
Supervisor: Dr Peter Cherry Approx. 60,000 - 80,000 words
Sir Joshua Reynolds: Problematic Painting
Aoife Brady Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting Country: England Period: 18th Century
10,000 words
The Romanesque Portal of Killeshin
Jennifer Brady Trinity College Dublin Department of History of Art and Architecture 1989 BA
Subject: Architecture and Sculpture Country: Ireland Period: 12th Century
10,000 words
From Shady Dealer to Public Benefactor: The Image of the Art Dealer from Ernest Gambart to Sir Hugh Lane
Oisin Brady Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting Country: Ireland and England Period: 19th and 20th Century
Margaret Corcoran: Challenging Art Historical Patriarchy Through Appropriation
Samantha Brauer Trinity College Dublin
Department of History of Art and Architecture
2015 MPhil (Irish Art History)
Subject: Painting
Country: Ireland
Period: 20th Century and 21st Century
Supervisor: Dr Yvonne Scott
20,000
Royal Religious Commissions as Political Propaganda in Spain under Charles III (1759-1788)
Xavier Immanuel Bray
Trinity College Dublin
Department of History of Art and Architecture
2000
PhD
Subject: Painting
Country: Spain
Period: 18th Century
Supervisor: Dr. Peter Cherry
Approx. 60,000 - 80,000 words
Examining the artist Paul Gauguin’s attitude to his female subjects in the context of his pursuit of the exotic
Aine Brennan Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Painting Country: France Period: 19th Century
10,000 words
The Baroque Retable in Granada
Jonathan Alan James Brennan
Trinity College Dublin
Department of History of Art and Architecture
2000
BA
Subject: Sculpture
Country: Spain
Period: 17th Century
10,000 words
Some incised slabs in counties Kilkenny and Tipperary 1169-1400
Peggy Margaret Frances Brennan Trinity College Dublin Department of History of Art and Architecture 1988 BA
Subject: Funerary monuments Country: Ireland Period: 12th and 13th Century
10,000 words
Medieval Castles in Normandy
Audrey Brennan Trinity College Dublin Department of History of Art and Architecture 1985 BA
Subject: Architecture Country: France
10,000 words
Intimate Orangerie Exploring Claude Monet’s Modern Approach to the Function of Museum Space at the Musee de l’Orangerie
Orla Brennan Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Painting Country: France Period: 19th Century