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Faculty of Arts and Celtics Studies' Department of History of Art

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"Hand to the Friend, Fist to the Foe": From Brotherly Hand Shake to Militant Clenched Fist

Maureen Lynch
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA

Subject: Art

20,000 words

Mecha’s Apocalypse: Significance of the Mechanoid in Japanese Post-Apocalyptic Science Fiction Anime

Janina Mathews
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Japanese Anime, Japanese Culture and Cyborgs
Country: Japan
Period: 20th and 21st Century

20,000 words

Donald Judd - Sensual Objects

Roisin McArdle
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Sculpture
Country: U.S.A
Period: 20th Century

20,000 words

Opening Up the Streets: A Relational Account of the Murals of Northern Ireland

Catherine McEntee
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Murals
Country: Northern Ireland
Period: 20th Century

20,000

Re:performance: Enduring the Past in the Present - the Role of the Audience in the Documentation of Marina Abramović's Performances

Réidín McSweeney
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Performance Art
Country: Europe and U.S.A.
Period: 20th Century

20,000 words

The Artist as Jester: Rebellious Humour in Contemporary Art : a Study of Radical and Precarious Humour in the Art of Raymond Pettibon, Kara Walker and Banksy

Julianne Morgan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA

Subject: Mural, Poster Art
Country: U.S.A
Period: 20th Century

20,000 words

Photography and Performance Clothing the Infant Nude in Sally Mann's Immediate Family​

Charlotte Louise McDougall Morrison
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2011
MA

Subject: Photography, Performance Art
Country: U.S.A
Period: 20th Century to 21st Century

20,000 words

Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"

Marian Murphy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Art
Period: 20th Century and 21st Century

20,000 words

From Mars to Kassandra: the memorialisation of World War I in the work of Otto Dix.

Ann Murray
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2018
PhD

Subject: Painting
Country: Germany
Period: 20th Century

Through the Eye of the Beholder: Examining the Relationship Between Photography and Love

Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Photography

20,000 words

Pedem Referens: Art Historical Memory and the Analogue in the Work of Tacita Dean, Jeremy Millar and Lucy Skaer

Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2016
PhD

Subject: Film and Photography
Period: 21st Century

From Freedom and Ambiguity to Nazi Tradition: the Passage of Female Representation from Compressed Modernist Tradition in Weimar Germany to National Socialist Tradition

Theresa O'Brien
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA

Subject: Art
Country: Germany
Period: Early 20th Century

20,000 words

Threatened Spectatorship: The Installation Art of Bruce Nauman and Janet Cardiff

Jane O'Connor
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Installation Art
Country: U.S.A. and Europe
Period: 20th and 21st Century

20,000 words

George Grosz’s Guide to Dissolute Berlin:Drawing an Incisive line through the Facades of Weimar Republic

Jean O'Donovan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Painting
Country: Germany
Period: 20th Century

A Quest for Neo-Primitivism

Fiona O’Keeffe
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Art Movement
Country: Russia
Period: 20th Century

20,000 words

Poet with a Camera: Walker Evans and Documentary Photography in the Great Depression

Laraine O’Connell
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Photography
Country: U.S.A.
Period: 20th Century

20,000 words

Performance Art: The Role of Bodily Signification in the Performance of Amanda Coogan

Caroline Clancy
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Ireland
Period: 20th and 21st Century

A Post-Feminist Reconstructed Art Historical Account of the Art of Oskar Kokoschka and the Influence of Fin de Siècle Antifeminism in Germany upon the Female Imagery of the Artist

Aoife Potter-Cogan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Biography, Painting
Country: Austria
Period: 20th Century

20,000

Albers : Investigating the Semiotic World of Josef Albers’ Art

Katherine Quinlan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Painting
Country: Europe and U.S.A.
Period: 20th Century

20,000 words

Expanding Engagement with Alternative Spaces: Preservation for Future Aesthetic Consideration in the Working Class Domestic Interior

Sinéad Kathy Rice
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA

Subject: Interior Architecture
Country: Ireland

20,000 words

Mexican Muralism in the 1930s; Beyond Revolution and the Pre-Columbian

Emma Rowe
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
M.Phil

Subject: Murals
Country: Mexico
Period: Early 20th Century

Supervisor: Dr. S. Kriebel
40,000 words

Dalí: Surrealism, Psychoanalysis and the Paranoiac-Critical Method

Damian Ruddy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Painting
Country: Spain
Period: 20th Century

20,000 words

The Mechanical Origin of an Authentic Photographic Affect

Stefania Sapio
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2017
MRes

Subject: Photography
Period: 20th Century

Failed Utopias of the Avant-Garde in Tacita Dean and William Kentridge

Irish Ella Frances Swift
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA

Subject: Film
Country: South Africa, Britain
Period: 21st Century

20,000 words