Education - Theses Register | Irish Georgian Society

Dublin's Terracotta 1882-1903

Susan Keating
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Architecture
Country: Ireland: Dublin and Britain
Period: 19th and 20th Century

10,000 words

Displaying Fashion as Art

Charlotte Keegan
Trinity College Dublin
Department of History of Art and Architecture
2020
BA

Subject: Fashion
Country: USA
Period: 21st Century

10,000 words

The Long Gallery of Castletown House. Its decoration and history, with notes on the furnishings and sculpture

Ann Margaret Keller
Trinity College Dublin
Department of History of Art and Architecture
1977
BA

Subject: Architecture, sculpture, furniture and applied arts
Country: Ireland
Period 18th Century

10,000 words

The Architecture of Public Space in Renaissance Venice and How that Architecture Aids to Public Festivals

Alice Kelly
Trinity College Dublin
Department of History of Art and Architecture
2021
BA

Subject: Architecture
Country: Italy
Period: 15th to 16th Centuries

10,000 words

W. A. Scott in the Diocese of Clonfert

Catherine Kelly
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Architecture
Country: Ireland
Period: 20th Century

10,000 words

The Vengeful Woman: The Development of Images of Medea in Painting and Drawing of the Eighteenth and Nineteenth Centuries

Niamh Kelly
Trinity College Dublin
Department of History of Art and Architecture
2023
BA

Subject: Painting, Drawig
Period: 18th & 19th Century

10,000 words

Stasis & Movement: An Exploration of Kirchner's Dance Images

Jacki Kelly
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Painting
Country: Germany
Period: 20th Century

10,000 words

Work, Rest or Play? How function is manifested in Irish Botanic Gardens

Eileen Kelly
Trinity College Dublin
Department of History of Art and Architecture
2001
BA

Subject: Architecture
Country: Ireland
Period: 19th Century

10,000 words

This dissertation is a study of the National Botanic Gardens in Glasnevin, the aims behind its foundation and how these aims were reflected in its layout and buildings. All of this is studied in the context of three other Irish Botanic Gardens, the Trinity College Botanic Gardens, Belfast Botanic Gardens and the Botanic Gardens of the Royal Cork Institution. The purpose behind the foundation of each of the four gardens is determined. Then the layout of each of the gardens is examined in relation to their determined function and trends in landscape design of their period. The author examines whether the trends of public improvement that lay behind the establishment of many art galleries in the nineteenth century were also a reason for setting up botanic gardens. The issues of public access and Sunday openings are examined and with each of the Botanic Gardens the design of their glasshouses is analysed.

Medieval Church Towers within the Pale

Elizabeth Kelly
Trinity College Dublin
Department of History of Art and Architecture
2001
BA

Subject: Architecture
Country: Ireland
Period: 11th to 16th Century

10,000 words

Roman Funerary Architecture: An Assessment of its Role in the Development of Cemeteries in Nineteenth Century Europe

Gemma Kelly
Trinity College Dublin
Department of History of Art and Architecture
2007
BA

Subject: Architecture and Sculpture
Country: Italy, France and Ireland
Period: Ancient Rome and 19th Century

10,000 words

Little between Life and Work: Niki de Saint-Phalle and Tracey Emin A study of the relationship between art and the function of the literary diary

Carolyn Kelly
Trinity College Dublin
Department of History of Art and Architecture
2010
BA

Subject: Digital media and Sculpture
Country: England and France
Period: 20th Century

10,000 words

This dissertation examines the history of the diary as a literary genre and how it can be related to art, particularly in the work of Niki de Saint Phalle and Tracey Emin. The diary has served throughout the last four centuries as a both a public document (written by prominent men in high society). It documents a social era as much as the life of the author. It is also as a personal, intimate journal in which the author displaces secret emotions and thoughts to the page. This dissertation argues that the art of these women can be viewed as a form of diary, both in the public and private sense. It focuses on the manner in which the artists use their artwork to tease out difficult issues or emotions in their lives as the author uses the private diary, and on the use of diary-like passages of text in their work.

The Representation of the Male Nude by Female Artists. Developing a New Visual Language

Judy Kelly
Trinity College Dublin
Department of History of Art and Architecture
1992
BA

Subject: Painting, Sculpture and Slide Installation
Country: Ireland
Period: 20th Century

10,000 words

The Importance of St. Paul and St. Anthony on the Irish High cross

Heather Kelly
Trinity College Dublin
Department of History of Art and Architecture
1989
BA

Subject: Sculpture and High Cross
Country: Ireland
Period: 9th and 10th Century

10,000 words

Theatricality and Vibrancy in the Allegorical Figures of Paolo Veronese

Valerie Somers Kelly
Trinity College Dublin
Department of History of Art and Architecture
2023
BA

Subject: Painting
Country: Italy
Period: 17th Century

10,000 words

Lost in Translation: An Exploration of the Dialogue between Chinese Contemporary Art and the West

Julia Kelly Kennedy
Trinity College Dublin
Department of History of Art and Architecture
2009
BA

Subject: Mixed Media, Painting, Performance and Prints
Country: America, China, France, Italy and Russia
Period: 20th to 21st Century

10,000 words

Old St. Mary's Church, Clonmel: An architectural history

Christina Kennedy
Trinity College Dublin
Department of History of Art and Architecture
1984
BA

Subject: Architecture
Country: Ireland
Period: 13th, 14th, 15th, 19th and 20th Century

10,000 words

Reflections on Psychotic Art

Anne Kennedy
Trinity College Dublin
Department of History of Art and Architecture
1997
BA

Subject: Drawing and Painting
Country: Ireland
Period: 19th Century

10,000 words

An investigation of Phil Collins’ ‘the return of the real’ installation at the 2006 Turner Prize

Daniel Kennedy
Trinity College Dublin
Department of History of Art and Architecture
2007
BA

Subject: Photography and Film
Country: United Kingdom and Turkey
Period: 21st Century

10,000 words

This dissertation examines ‘the return of the real’, a multimedia installation by British artist, Phil Collins. This installation consists of a series of interviews between an interviewer and people who had had bad experiences through participation in reality television. The author examines this work within the context of contemporary art which has uses the language of documentary as a central reference. This study opens with an examination of Collins’ deconstruction of the language of conventional media, his acknowledgment of the influence of predecessors and the extent to which he distinguishes his work from other documentary contemporary art practices. The second section looks at Collins’ exploration of the central role of the camera in 21st century society, while the final chapter sets a criteria for Collins’ success with this work. Incl. DVD of clips from work.

Jackson Pollock’s Classic Drip Paintings: A Synthesis of Process and Product to Outline the Artistic Merit of his Work

Aoife Kenny
Trinity College Dublin
Department of History of Art and Architecture
2012
BA

Subject: Painting
Country: America
Period: 20th Century

10,000 words

Andy Goldsworthy: The Nature of Nature

Ann Kenny
Trinity College Dublin
Department of History of Art and Architecture
1999
BA

Subject: Multimedia
Country: United Kingdom
Period: 20th Century

10,000 words

Sculpture in the Piazza della Signoria: Politics and Power in Renaissance Florence

Sorcha Keogh
Trinity College Dublin
Department of History of Art and Architecture
2015
BA

Subject: Sculpture
Country: Italy
Period: 15th and 16th Century

10,000 words

This thesis examines sculpture in the Piazza della Signoria in Florence. In particular, works such as Donatello’s ‘Judith and Holofernes’, Michelangelo’s ‘David’, Bandinelli’s ‘Hercules and Cacus’ and Celllini’s ‘Perseus with the Head of Medusa’ will be discussed. A study of these sculptures is a description of the history of fluctuations in power and patronage in a specific period in the history of Florence. In particular, this dissertation will examine who was in power, what artists were in favour and how each ruler expressed their status. The subject matter of each statue also conveys a particular political message and in a broader sense the prevailing political mood of the day. The four sculptures were the result of the desire to express power and wealth in a time of great political turmoil.

The Development of Lord Edward Street

Mary Margaret Keogh
Trinity College Dublin
Department of History of Art and Architecture
2004
BA

Subject: Architecture / Urban Planning
Country: Ireland
Period: 19th Century

10,000 words

Daniel Robertson : His career and work in Ireland

Nicola Mary Keogh
Trinity College Dublin
Department of History of Art and Architecture
1991
BA

Subject: Architecture
Country: Ireland
Period: 19th Century

10,000 words

A Collection's Life- Understanding the Agency of Preventive Conservation

Enid Nori Kerenyi
Trinity College Dublin
Department of History of Art and Architecture
2021
BA

Subject: Painting
Country: Ireland, Scotland
Period: 19th Century

10,000 words

Education Theses Register —Trinity College Dublin / B.A.

Dublin's Terracotta 1882-1903

Displaying Fashion as Art

The Long Gallery of Castletown House. Its decoration and history, with notes on the furnishings and sculpture

The Architecture of Public Space in Renaissance Venice and How that Architecture Aids to Public Festivals

W. A. Scott in the Diocese of Clonfert

The Vengeful Woman: The Development of Images of Medea in Painting and Drawing of the Eighteenth and Nineteenth Centuries

Stasis & Movement: An Exploration of Kirchner's Dance Images

Work, Rest or Play? How function is manifested in Irish Botanic Gardens

Medieval Church Towers within the Pale

Roman Funerary Architecture: An Assessment of its Role in the Development of Cemeteries in Nineteenth Century Europe

Little between Life and Work: Niki de Saint-Phalle and Tracey Emin A study of the relationship between art and the function of the literary diary

The Representation of the Male Nude by Female Artists. Developing a New Visual Language

The Importance of St. Paul and St. Anthony on the Irish High cross

Theatricality and Vibrancy in the Allegorical Figures of Paolo Veronese

Lost in Translation: An Exploration of the Dialogue between Chinese Contemporary Art and the West

Old St. Mary's Church, Clonmel: An architectural history

Reflections on Psychotic Art

An investigation of Phil Collins’ ‘the return of the real’ installation at the 2006 Turner Prize

Jackson Pollock’s Classic Drip Paintings: A Synthesis of Process and Product to Outline the Artistic Merit of his Work

Andy Goldsworthy: The Nature of Nature

Sculpture in the Piazza della Signoria: Politics and Power in Renaissance Florence

The Development of Lord Edward Street

Daniel Robertson : His career and work in Ireland

A Collection's Life- Understanding the Agency of Preventive Conservation

Education Theses Register —
Trinity College Dublin / B.A.