The Caravaggist Magdalene: The French Connection
Alannah Quillinan
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Italy
Period: 17th Century
Supervisor: Dr. Philip Cottrell
15,000 words
The Study of an Oil sketch Attributed to Sir John Everett Millais at the Hugh Lane Municipal Gallery, Dublin
Róisín Quinn
University College Dublin
School of Art History and Cultural Policy
2003
MA
Subject: Painting
Country: England
Period: 19th century
Supervisor: Dr Christine Casey
15,000 words
Perspectives on the Career of George Wilkinson: Workhouse Architect in England and Ireland
Beth-Ann M Quinn
University College Dublin
School of Art History and Cultural Policy
1997
MA
Subject: Architecture
Country: England and Ireland
Period: 19th Century
Supervisor: Dr. Christine Casey
15,000 words
The Female Society Portraits of Gustav Klimt
Megan Natasha Randall
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Europe: Vienna
Period: 19th - 20th Century
Supervisor: Dr. Paula Murphy
15,000 words
Art Auctions in Dublin 1700-1830
Dorothy Redmond
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 18th century and early 19th century
Supervisor: Dr Nicola Figgis
15,000 words
Breaking the Illusion Pentimenti and the Humanisation of Artists
Alex Reilly
University College Dublin
School of Art History and Cultural Policy
2016
MA
Subject: Painting
Country: Italy, Spain and the Netherlands
Period: 16th and 17th Century
Supervisor: Dr Philip Cottrell
15,000 words
Photo Booth Exposures: a Comparison of Francis Bacon and Andy Warhol’s relationship with photography
Maree Rigney
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Photography and Painting
Country: Ireland and America
Period: 21st Century
Supervisor: Professor Kathleen James-Chakraborty and Dr Margarita Cappock
15,000 words
Some Seventeenth Century Paintings of the Old Irish and Norman Irish Families after the Flight of the Earls
Eivlin Roden
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: painting
Country: Ireland
Period: 17th century
Supervisor: Dr Nicola Figgis
15,000 words
Regenerating Limerick: The Role of Public Art in Ireland's National City of Culture 2014
Laura Ryan
University College Dublin
School of Art History and Cultural Policy
2015
MA
Subject: Public Art
Country: Ireland
Period: 21st Century
Supervisor: Dr. Emily Mark-FitzGerald
15,000 words
A Comparative Study of Theatrical Prints Produced in Edo and London During the Eighteenth-Century
Evelyn Ryan
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Prints
Country: London and Edo
Period: 18th Century
Supervisor: Prof. Kathleen James-Chakraborty
15,000 words
The Colonization of the French Nude by the "Other" between 1827 and 1917. The influence of colonial society on the social attitude towards the nude and its description in nineteenth and twentieth century France.
Jeanine Ryan
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: painting
Location: Europe
Period: 19th- 20th Century
Supervisor: Dr Philip Cottrell
15,000 words
Modern Art, the Museum and the Art Market: Contextualising the role of Sergei Ivanovich Shckukin in Early modernism
AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century
Supervisor: Dr Róisín Kennedy
68 pages
Modern Art, the Museum and the Art Market: Contextualising the Role of Sergei Ivanovich Shckukin in Early Modernism
AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)
Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century
Supervisor: Dr Róisín Kennedy
68 pages
The Court Painter and the Cur: The Impact of Titian on the Painting of Caravaggio
Lindsay Schiller
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Italy
Period: 16th Century
Supervisor: Dr Philip Cottrell
15,000 words
The New Lens of War Photography: Transition of War-Themed Photojournalism into the Art Gallery and Museum
Victoria M. Schwab
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Photography
Location: world
Period: contemporary
Supervisor: Professor Kathleen James-Chakraborty
15,000 words
The Lure of the Lamps: A discussion of Dublin’s street lamps and their artistic relevance
Darina Sexton
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Street Furniture
Country: Ireland
Period: 19th Century
Supervisor: Dr. Christine Casey
15,000 words
War and Male Interpretations: As Portrayed by Egon Schiele and Francis Bacon
Rachel Sheppard
University College Dublin
School of Art History and Cultural Policy
2015
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr Paula Murphy
15,000 words
1950s Flat Housing and Modernism: Dublin and Warsaw Compared and Contrasted
Natalia Sikora
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Architecture
Country: Ireland and Poland
Period: 20th Century
Supervisor: Professor Lynda Mulvin
79 pages
The Sculpture of Michael Warren Stands its Ground
Christine Sisk
University College Dublin
School of Art History and Cultural Policy
2016
MA
Subject: Sculpture
Country: Ireland
Period: 20th and 21st Century
Supervisor: Professor Kathleen James-Chakraborty
15,000 words
Wigs in the Long Eighteenth Century: from an Irish Perspective
Charlotte Slevin
University College Dublin
School of Art History and Cultural Policy
2021
MA (masters thesis)
Subject: Wigs in the 18th Century
Country: Ireland/ Europe
Period: 18th Century
Supervisor: Dr Conor Lucey
127 pages
Wigs in the long Eighteenth Century: from an Irish Perspective
Charlotte Slevin
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Wigs in the 18th Century
Country: Ireland/ Europe
Period: 18th Century
Supervisor: Dr Conor Lucey
127 pages
Painting Vital Visions: Beauty and Brutality in the late work of Titian and Cy Twombly
Monika Smith
University College Dublin
School of Art History and Cultural Policy
2018
MA
Subject: Painting
Country: Italy
Period: 16th Century and 20th Century
Supervisor: Associate Professor John Loughman
15,000 words
The Divided Memory: the move towards an abstract aesthetic vision in the Holocaust memories of the two Germanies
Helen Smith
University College Dublin
School of Art History and Cultural Policy
1995
MA
Subject: Sculpture
Country: Germany
Period: 20th century
Supervisor: Dr Paula Murphy
15,000 words
Capturing the Unicorn: Gustave Moreau’s Les Licornes (1885)
Hillary Smith
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)
Subject: Painting
Country: France
Period: 19th Century
Supervisor: Dr John Loughman
79 pages