"The Artist Who Has His Foot in a History book and an Eye on Himself Can Move, But Not Directly": Time, Memory and Metis in Robert Rauschenberg's XXXIV Drawings for Dante's Inferno
Rachel Warriner
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Art
Country: U.S.A
Period: 20th Century
20,000 words