The Modern Gallery and its Role in a Viewer's Liminal Experiencing of an Artwork
Fiona White
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Gallery Display
Period: 21st Century
20,000 words
An Iconographical Interpretation of the ‘Ancestors’ of Christ’ in the Lunettes of the Sistine Chapel
Elizabeth Williams
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Painting
Country: Italy
Period: 16th Century
Supervisor: Dr. Philip Cottrell
15,000 words
The Changing Roman Religious Identity as Documented by pagan and Christian Sarcophagi Iconography
Sarah Wilson
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Sculpture
Country: Italy
Period: Early Christian
Supervisor: Dr. Lynda Mulvin
15,000 words
Wladystaw Podkowisku’s Frenzy of Exultations
Cathy Wojnicki
University College Dublin
School of Art History and Cultural Policy
2018
MA
Subject: Painting
Country: Poland
Period: 19th Century
Supervisor: Dr Philip Cottrell
15,000 words
Situating Sarah
Ruth Wood
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2012
MA
Supervisor: Catherine Lawless
21,000 words
Viewing Venus: Roman Women and the Goddess of Love, Beauty and Desire
Maria Wood
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)
Subject: Roman Antiquity
Country: Rome/ Italy
Period: Republican Rome
Supervisor: Dr Séan Leatherbury
50 pages
Viewing Venus: Roman Women and the Goddess of Love, Beauty and Desire
Mari Wood
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Roman Antiquity
Country: Rome/Italy
Period: Republican Rome
Supervisor: Dr Séan Leatherbury
50 pages
Revolution Remembered: The Traumatic Memories of the Irish Revolutionary Years in Jack B. Yeats's Late Paintings and their Relationship to Irish Collective Memory of the years between 1913 and 1923
Laura Woulfe
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 20th century
Supervisor: Dr Róisín Kennedy
15,000 words
Good and Evil in Dore’s Inferno and Paradise Lost
Maria Yampolski
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Painting
Country: France
Period: 19th Century
Supervisor: Dr. John Loughman
15,000 words
Church, State and the Irish Female Body: Performance Art and its Reaction to the Historic Treatment of Irish Women
Claire Young
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)
Subject: Art/ Social Justice
Country: Ireland
Period: 20th and 21st Century
Supervisor: Associate Professor Emily Mark-FitzGerald
92 pages
Ai Weiwei’s Earthquake Exhibition series: a reflection on the evolution of installation art and its intersection with social justice by activism
Jie Yu
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Ai Weiwei/Con-temporary Art/Installation Art/Social Justice
Country: China
Period: 20th-21st Century
Supervisor: Dr Aleksandra Gajowy
35 pages
Sourcing the Historical Lineage of the Seventeenth Century Paintings at Chihil Sutun in Iran: a Gendered Analysis
Maliheh Zafarnezhad
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA
Subject: Painting
Country: Iran
Supervisor: Catherine Lawless
21,000 words
Irish Street Art and the Celtic Tiger
Alana Zuzak
University College Dublin
School of Art History and Cultural Policy
2012
MA
Subject: Public Art
Country: Ireland
Period: 20th and 21st Century
Supervisor: Dr. Conor Lucey
15,000 words