Education - Theses Register | Irish Georgian Society

The Study of an Oil sketch Attributed to Sir John Everett Millais at the Hugh Lane Municipal Gallery, Dublin

Róisín Quinn
University College Dublin
School of Art History and Cultural Policy
2003
MA

Subject: Painting
Country: England
Period: 19th century

Supervisor: Dr Christine Casey
15,000 words

The Female Society Portraits of Gustav Klimt

Megan Natasha Randall
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Painting
Country: Europe: Vienna
Period: 19th - 20th Century

Supervisor: Dr. Paula Murphy
15,000 words

Art Auctions in Dublin 1700-1830

Dorothy Redmond
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Ireland
Period: 18th century and early 19th century

Supervisor: Dr Nicola Figgis
15,000 words

Breaking the Illusion Pentimenti and the Humanisation of Artists

Alex Reilly
University College Dublin
School of Art History and Cultural Policy
2016
MA

Subject: Painting
Country: Italy, Spain and the Netherlands
Period: 16th and 17th Century

Supervisor: Dr Philip Cottrell
15,000 words

Expanding Engagement with Alternative Spaces: Preservation for Future Aesthetic Consideration in the Working Class Domestic Interior

Sinéad Kathy Rice
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA

Subject: Interior Architecture
Country: Ireland

20,000 words

Photo Booth Exposures: a Comparison of Francis Bacon and Andy Warhol’s relationship with photography

Maree Rigney
University College Dublin
School of Art History and Cultural Policy
2010
MA

Subject: Photography and Painting
Country: Ireland and America
Period: 21st Century

Supervisor: Professor Kathleen James-Chakraborty and Dr Margarita Cappock
15,000 words

An Exploration of the Use of Synthetic Mediums in Modern Irish Art with a Concentration on the Painters Micheal Farrell, Robert Ballagh and Charles Harper

Stephan Roche
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA

Subject: Art
Country: Ireland
Period: 20th Century to 21st Century

Supervisor: Catherine Lawless
21,000 words

Some Seventeenth Century Paintings of the Old Irish and Norman Irish Families after the Flight of the Earls

Eivlin Roden
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: painting
Country: Ireland
Period: 17th century

Supervisor: Dr Nicola Figgis
15,000 words

The Influence of Abstract Expressionism on the Work of Nancy Wynne-Jones and Sean McSweeney

Michael Rowley
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

Dalí: Surrealism, Psychoanalysis and the Paranoiac-Critical Method

Damian Ruddy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Painting
Country: Spain
Period: 20th Century

20,000 words

The Colonization of the French Nude by the "Other" between 1827 and 1917. The influence of colonial society on the social attitude towards the nude and its description in nineteenth and twentieth century France.

Jeanine Ryan
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: painting
Location: Europe
Period: 19th- 20th Century

Supervisor: Dr Philip Cottrell
15,000 words

The Factors that Influenced the Classical Design of the Mansion House in Demesnes in Limerick c. 1770 to c 1820

Michael Ryan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2012
MA

Subject: Architecture
Country: Ireland: Limerick
Period: Late 18th to 19th Century

Supervisor: Catherine Lawless
21,000 words

Regenerating Limerick: The Role of Public Art in Ireland's National City of Culture 2014

Laura Ryan
University College Dublin
School of Art History and Cultural Policy
2015
MA

Subject: Public Art
Country: Ireland
Period: 21st Century

Supervisor: Dr. Emily Mark-FitzGerald
15,000 words

A Comparative Study of Theatrical Prints Produced in Edo and London During the Eighteenth-Century

Evelyn Ryan
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Prints
Country: London and Edo
Period: 18th Century

Supervisor: Prof. Kathleen James-Chakraborty
15,000 words

Modern Art, the Museum and the Art Market: Contextualising the role of Sergei Ivanovich Shckukin in Early modernism

AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)

Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century

Supervisor: Dr Róisín Kennedy
68 pages

Modern Art, the Museum and the Art Market: Contextualising the Role of Sergei Ivanovich Shckukin in Early Modernism

AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)

Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century

Supervisor: Dr Róisín Kennedy
68 pages

The Court Painter and the Cur: The Impact of Titian on the Painting of Caravaggio

Lindsay Schiller
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Italy
Period: 16th Century

Supervisor: Dr Philip Cottrell
15,000 words

The New Lens of War Photography: Transition of War-Themed Photojournalism into the Art Gallery and Museum

Victoria M. Schwab
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: Photography
Location: world
Period: contemporary

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

The Lure of the Lamps: A discussion of Dublin’s street lamps and their artistic relevance

Darina Sexton
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Street Furniture
Country: Ireland
Period: 19th Century

Supervisor: Dr. Christine Casey
15,000 words

The American Painter Elizabeth Sparhawk-Jones: Depicting Female gender and the Social Interactions Between Working-Class and Upper-Class Women in Philadelphia, 1905-1913

Anna Elizabeth Shaver
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA

Subject: Painting
Country: America
Period: 20th Century

Supervisor: Catherine Lawless
21,000 words

War and Male Interpretations: As Portrayed by Egon Schiele and Francis Bacon

Rachel Sheppard
University College Dublin
School of Art History and Cultural Policy
2015
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr Paula Murphy
15,000 words

1950s Flat Housing and Modernism: Dublin and Warsaw Compared and Contrasted

Natalia Sikora
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Architecture
Country: Ireland and Poland
Period: 20th Century

Supervisor: Professor Lynda Mulvin
79 pages

The Sculpture of Michael Warren Stands its Ground

Christine Sisk
University College Dublin
School of Art History and Cultural Policy
2016
MA

Subject: Sculpture
Country: Ireland
Period: 20th and 21st Century

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

Wigs in the Long Eighteenth Century: from an Irish Perspective

Charlotte Slevin
University College Dublin
School of Art History and Cultural Policy
2021
MA (masters thesis)

Subject: Wigs in the 18th Century
Country: Ireland/ Europe
Period: 18th Century

Supervisor: Dr Conor Lucey
127 pages

Education Theses Register —M.A.

The Study of an Oil sketch Attributed to Sir John Everett Millais at the Hugh Lane Municipal Gallery, Dublin

The Female Society Portraits of Gustav Klimt

Art Auctions in Dublin 1700-1830

Breaking the Illusion Pentimenti and the Humanisation of Artists

Expanding Engagement with Alternative Spaces: Preservation for Future Aesthetic Consideration in the Working Class Domestic Interior

Photo Booth Exposures: a Comparison of Francis Bacon and Andy Warhol’s relationship with photography

An Exploration of the Use of Synthetic Mediums in Modern Irish Art with a Concentration on the Painters Micheal Farrell, Robert Ballagh and Charles Harper

Some Seventeenth Century Paintings of the Old Irish and Norman Irish Families after the Flight of the Earls

The Influence of Abstract Expressionism on the Work of Nancy Wynne-Jones and Sean McSweeney

Dalí: Surrealism, Psychoanalysis and the Paranoiac-Critical Method

The Colonization of the French Nude by the "Other" between 1827 and 1917. The influence of colonial society on the social attitude towards the nude and its description in nineteenth and twentieth century France.

The Factors that Influenced the Classical Design of the Mansion House in Demesnes in Limerick c. 1770 to c 1820

Regenerating Limerick: The Role of Public Art in Ireland's National City of Culture 2014

A Comparative Study of Theatrical Prints Produced in Edo and London During the Eighteenth-Century

Modern Art, the Museum and the Art Market: Contextualising the role of Sergei Ivanovich Shckukin in Early modernism

Modern Art, the Museum and the Art Market: Contextualising the Role of Sergei Ivanovich Shckukin in Early Modernism

The Court Painter and the Cur: The Impact of Titian on the Painting of Caravaggio

The New Lens of War Photography: Transition of War-Themed Photojournalism into the Art Gallery and Museum

The Lure of the Lamps: A discussion of Dublin’s street lamps and their artistic relevance

The American Painter Elizabeth Sparhawk-Jones: Depicting Female gender and the Social Interactions Between Working-Class and Upper-Class Women in Philadelphia, 1905-1913

War and Male Interpretations: As Portrayed by Egon Schiele and Francis Bacon

1950s Flat Housing and Modernism: Dublin and Warsaw Compared and Contrasted

The Sculpture of Michael Warren Stands its Ground

Wigs in the Long Eighteenth Century: from an Irish Perspective

Education Theses Register —
M.A.