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In Theses

Margaret Corcoran: Challenging Art Historical Patriarchy Through Appropriation

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Wearable Wealth: The Social and Cultural Significance of Gold Jewellery in Later Medieval Ireland

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The Morbid Biology of Francis Bacon’s Paintings

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From Cattle Market to Housing Estates: The Impact of Drumalee’s Situatedness on the Stoneybatter Community

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Hilary Heron: A Pioneering Irish Modernist Sculptor

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A Fifteenth-Century Book of Hours: Identifying and Interpreting Manuscript 11433

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Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

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The Life, Death and Rebirth of a Book of Hours Once Owned by Chester Beatty

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Franciscan Architecture: Comparing Orders, Patronage and Art in Assisi and Waterford

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Tourists, Art, Scholarship, and Architecture: A Study of the Interactions Between Tourism and the Art World as Observed Through Dublin Churches

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Bea Orpen H.R.H.A. 1913-1980: Artist, Educator and Ambassador for the Arts in Ireland

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Art and understanding : An Essay in Aesthetics

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The Derrynaflan Chalice: Its Archaeological and Art-Historical Significance

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For the Greater Glory of God and King: The Decoration of the Basilica of San Lorenzo El Real de El Escorial for Philip II of Spain

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Printing types in the Irish character

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Irish Blood, English Art: John Lavery and Hybridity

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The Relationship of Maurice Denis's Illustrations to Paul Verlaine's Texts in the Illustrated SAGESSE

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Renaissance de La Borne: A Study of the Period of Transition From Traditional Pottery-Making Village to Centre of Contemporary Ceramic Creation

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A Study of the Title in Twentieth-Century Painting

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The Artist's Whore : 'Painted Lady' or Pretext?

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A Portrayal of Ireland's People and Landscape in Illustrated Travel Books from the Act of Union to the Aftermath of the Great Famine

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Blast: Art, the Great Race and War in the London Vortex

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Magritte and Landscape

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Public Works Architecture in Ireland, 1829-1923

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Birth and Death: Mysteries of Motherhood in the Art of Paula Modersohn-Becker and Kathe Kollwitz

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The Tongue-Tied Profanity of MacGreevy's Poetry: The Use of Image to Elucidate his Text

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Masking the Message: WWII Propaganda Posters in France

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Text and Image in the Work of Lorand Gaspar

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An Archaeological and Art-Historical Investigation of the Supposed Tenth Century Hiatus in Irish Art: with Reference to Excavations at Ballinderry Crannóg No. 1, Co. Westmeath, 1932, and Dublin City,

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Is It Possible for the Female Painters to Reclaim their Own Bodies

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Austerity and Functionalism in Visual Communication: A Critique of the International Typographic Style

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A General Examination of the Spirituality Behind the Icon and its Implications for Western Christian Theology and Practice

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The Art of Allusion: Intertextuality in the Work of Odilon Redon

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Late Roman Villas in the Danube-Balkan Region

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From the Inside Out: Intimisme and Point of View in Mary Cassatt's Paintings and Emile Zola's 'Une Page D'Amour'

In Updates

Kildare Heritage Buildings Show: Castletown House

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Charles IV and Maria Luisa of Parma, King and Queen of Spain : Royal Portraits of Reign

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The Cult and Iconography of Saint Anne in Late Medieval Europe with Particular Reference to Florence 1343 to 1528

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Perfect Ambition, Thomas Bodkin : a Life, with Particular Reference to his Influence on the Early Development of Irish Cultural Policy

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Kinaesthetic Difference: Rimbaud, Klee, Kandinsky, Bonnefoy

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Francesco Camilliani and the Florentine Garden of Don Luigi de Toledo: a Study of Fountain Production and Consumption in the Third Quarter of the 16th Century

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British Imagination, Colonial Ideology and the Representation of Landscape Space in Nineteenth-Century Southern Africa

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The Life and Career of an Irish Flower Painter, Moyra Barry (1885-1960): Flower Painting and Cultural Conservatism in Early Twentieth-Century Ireland

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Early Medieval Artistic Styles in the Romanesque: 'Archaic' Architectural Sculpture in 11th-13th Century Tuscany

In Updates

IGS submission on Metrolink

In Theses

The Planning and Use of Space in Irish houses 1730-1830

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Public & Private Improvements in Eighteenth-Century Ireland: the Case of the Conynghams of Slane, 1703-1821

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The Architecture of the Leix & Offaly Plantations: c1540-1600

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Making their Mark: Irish Printmakers in Context c.1880-1930

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The Albert Bender Donations of Far Eastern Art to the National Museum of Ireland in the Context of his Cultural Interests in Ireland and California

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John Molesworth (1679-1726) as a Patron of Art: Complacence, Connoisseurship and Commissions

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Architectural Patronage in Ireland: the Early Anglo-Norman Lords

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Liturgy and Architecture in Medieval Ireland ca. 1100- c.1315: Evidence from the Diocese of Killaloe

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The Culture of Architecture in Dublin 1940-1965: A Study of Architectural Discourse, Key Competitions and Buildings of Health, Home and Worship

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The Assembly, Display and Dispersal of Irish Collections 1750-1950

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Georges Jeanniot (1848-1934) Artist and Soldier

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Imitation, Novelty and Eclecticism in the Architecture of Domenichino

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The Kilkenny Marble Works: A Family Business Enterprise

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Metrology and Proportion in the Window Tracery of Medieval Ireland : an Empirical Study of Ormond and Connaught

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Reconstruction of the Gothic Past: Cultures of Conservation

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Art-Historical Thematic Research Collections: from Theory to Practice. Case study: Paintings of the Interior of the Oude Kerk in Delft

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Billy Quinn: An Artist for a Time of Plague, Work from the 1990s

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The Onto-Aesthetics of Change: Deleuze and Contemporary Interdisciplinary Body-Oriented Art

In Register

Revamp Conservation Ltd.

In Theses

(Re)Imagining the Domestic in Contemporary Irish Art

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Studies in Drawing Practice and Collecting in Madrid c.1752-1808

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Painting della Natura : the Importance of Nature in the Art of Painting in Seventeenth-Century Rome

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The Nude in Modern Irish Art: Tradition and Transgression: an Exploration of Themes and Trends in the Representation of the Nude in Twentieth Century Irish Art

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Beyond the Desert: the Narrative Composition of Medieval Images for the Hermits Paul and Anthony Receiving Bread from the Raven

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Digital Approaches to the History of Art and Architecture Online

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Mythical King or Laical Christ Figure? The Marrying of the Sacred and the Secular in Fourteenth Century French Arthurian Illuminations

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Guido Reni: Workshop Practices and Painting Techniques

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The Significance of Studs in Insular Art, 7th to 12th Centuries

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Francesco Borromini's Drawings of San Carlo alle Quattro Fontane in the Context of Architectural Practice in 17th-Century Rome

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Catholic Church Architecture and Art Industry in Ireland, 1850-1922

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Cross Currents in Domestic Development: the Town House in London and Dublin, 1720-1760

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The Uses of Gothic in Irish Domestic and Ecclesiastical Architecture, 1785-1829

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The Artist's Biography as a Source of Meaning

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Mobile Encounters: Artists’ Mobility Between Ireland and Britain and the Development of Performance, Video and Multimedia Practices (1975-1999)

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Depicting Dublin: Representations of the City in Irish Art

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A Hierarchical Image Processing Approach to Analysis of Early Medieval Manuscript Art

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English Architects in Ireland, c.1830-1875

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The Houses of the Augustinian Canons in Ireland

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A Study of the Victorian Suburban House in Dublin

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Prestige, Power and Patronage: Commissioning Illuminated Manuscripts and Material Culture in Late Medieval Ireland

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Products of the Celtic Revival: Facsimiles of Irish Archaeological Metalwork and Jewellery, 1890-1940

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Personal Devotional Objects and the Iconography of the Passion in Ireland, 1537-1800

In Updates

Berlin Opticians Gallery present BINGO! at the City Assembly House

In Updates

Vote for the City Assembly House in RIAI Awards!

In Events

US Event: The Club Reception and Lecture at The Casino

In Events

Birr/Midlands Chapter: Afternoon visit to Gloster House

In Events

Birr/Midlands Chapter: Charlesville Castle Tour

In Events

Birr/Midlands Chapter: Kildare Trip

In Theses

An Aesthetic 'Picture' of Gerhard Richter: Perceptions of the Painting, the Photography, and Abstraction in the 1970s and 1980s

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The Message of the Shoah Artists: History, Meaning, Composition, Styles and Themes in the Art of Primary and Secondary Shoah Witnesses

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A Post-Feminist Reconstructed Art Historical Account of the Art of Oskar Kokoschka and the Influence of Fin de Siècle Antifeminism in Germany upon the Female Imagery of the Artist

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Re:performance: Enduring the Past in the Present - the Role of the Audience in the Documentation of Marina Abramović's Performances

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Expanding Engagement with Alternative Spaces: Preservation for Future Aesthetic Consideration in the Working Class Domestic Interior

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From Freedom and Ambiguity to Nazi Tradition: the Passage of Female Representation from Compressed Modernist Tradition in Weimar Germany to National Socialist Tradition

In Theses

Mannequins, Misogyny and Murder: Representations of Violence and Aggression Towards Women in the 1920s and 1930s

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