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In Theses

Catching the Eye: Function and Meaning of Marginal Imagery on Late Medieval Tomb Sculpture

In Theses

The Portrayal of Women as Victims: A discussion of the works of F.E.McWilliam, Catherine McWilliams and Rita Duffy

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Castletown House A British Architectural Perspective

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Construction a Parallel World Exploring the Visual Impact of Gregory Scott’s Multi- Media Art

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Autobiographical-vs-Automatic Woman A Study of Identity in the Surrealist Paintings of Leonora Carrington and Max Ernst

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‘Dramatic Characters’: The image of the actor in the eighteenth century, its manifestation within the commercial print market and the cultivation of celebrity

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What Did the Pilgrims Learn: A Study of the 12th Century Pilgrimage Churches Along the Le Puy Route in France.

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Child and Mother: Seeing Lucian Freud

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Damned by the Prints: Marie Antoinette in French Revolutionary Imagery

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Egle Rake (Rakauskaite) A Lithuanian Case Study of Art in the Globalisation Age

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Visualising Identities: Memory and Memorial Production in Modern Ireland

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An Architectural History of Our Lady’s Children’s Hospital Crumlin

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From Space to Place: Rachel Joynt and Public Sculpture in Dublin

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The Love Entropy: Geraldine O’ Neil, Still Life Artist

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Kara Walker’s Contemporary Use of the Silhouette

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An Investigation into Damien Hirst’s Contribution to the Cabinets of Curiosities

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The Art of Storytelling: P.J. Lynch’s Illustrations

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3D Printing as an Artistic Medium: An Analysis of its Current Uses and Potential in Contemporary Art Practice

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The Art of a Scientist: An Anaylsis of the Themes of Art and Science in the Work of Per Kirkeby

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Half the Sky: A Study of Gender in the Work of Three Contemporary Chinese Women Artists

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In What Ways Does Public Art in the United Kingdom Engage with Democratic Ideals, 2000-2015?

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Threatening Temptation, Thrilling Titillation: Eve and the Female Serpent as a Insight into Male Attitudes Towards “Lesbian-Like’ Behaviour in Europe, 1410-1510

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Sculpture in the Piazza della Signoria: Politics and Power in Renaissance Florence

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The Early Earls of Belmore’s Furniture: Restrained Beauty to Rich Opulence The Furnishings in the Lifetime of the Ist Earl of Belmore and the 2nd Earl of Belmore in Castle Coole, County Fermanagh

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Concepts of Ornament: Modern Culture versus Ornament?

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The Art of the Architect. An Exploration of the Relationship Between Art and Architecture in the Work of Arthur Gibney

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Who Does he Think He Is? Reconciling Representations of David and his Masculinity in Quattrocento Florence

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Would you like Art with That? The Commodification of Art in Hotels and Restaurants

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Encaustic Portraiture To Portray the Icon and the Idol

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Virtual Reality Art 1992-2002

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The Role of Picturesque Drawing in Architecture

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Traditional Irish Music in Art: Examining Identity and Nationalism

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Here’s Looking at you Grayson Perry: An Analysis of his Exhibition: Who Are You? from a Perspective Concerning the nature of Identity

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All Stories of Heaven Begin on Earth: Analysing the Material Spirituality of Anselm Kiefer

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What Defined Baron Ferdinand de Rothschild’s Tastes in Art at Waddesdon Manor?

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The Ecclesiastical Buildings and Theories of George G. Pace: Rationale and Reality

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The Development of Russian Academy of Fine Arts in St. Petersburg during the Eighteenth Century in light of Contemporary Western European Artistic Education

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The role of photography in the modernisation of the Royal Hibernian Academy. Case Study: Amelia Stein

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‘Not Many Years Ago Inhabited’ A Critical Evaluation of the Restoration of Bremore Castle, Balbriggan

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Portrait of the Artist as a working Class Hero

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Hito Steyerl and the Art of the Essay

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Assessing the Experience of a Pilgrim on the Camino de Santiago in the High Middle Ages

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The Soul of the Sitter A critical analysis of the portraiture of Margaret Clarke

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The Death of Louise Vernet as the Leading Cause in the Depiction of Religious Imagery in the Work of Paul Delacroche

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Constructing Strong Bodies, Constructing Strong Morals: Imagery of Food in Nineteenth-Century British Art

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Constellations of the Unconscious: Rethinking Automatism

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Pollock and his Three Dealers: To What Extent did the Different Approaches of Guggenheim, Parsons and Janis Affect his Artistic and Commercial Success?

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St Doulagh’s Well: A Study of its Context and the Origins of its Form

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The influence of Japanese Art on the Work of Irish Artist Louis le Brocquy with Specific Reference to Ukiyo-e Printing and the Art of Sumi-e Ink Printing

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A Sociological Examination of Brothel Scenes in Print and Photography c. 1880-1930s

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Contained Chaos Analysing the Work of Nano Reid and a Sense of Place

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Medici Architectural Patronage in the Florentine Republic, 1418-1534

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A Voyage of Discovery Charting Waterford’s Identity Across the Centuries Through Images Commissioned by the Corporation

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The Investigation of Round Tower Positioning within the Monastic Setting: A Leinster Case Study

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Cranach’s Eve: An Exegetical Examination of the Representation of Eve in the Sixteenth Century ‘Luther Bible’

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A Study of Silk Wall-Coverings in the Red Drawing Room at Castletown House

In Updates

2018: Our Year in Review

In Events

Conserving your Dublin Period House: Spring 2019

In Events

CYDPH Lecture One (Architectural History & Significance)

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CYDPH Lecture Two (Policy & Legislation for Protected Structures)

In Events

CYDPH Lecture Three (Controlling Damp in your Period House)

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CYDPH Lecture Four (Windows)

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CYDPH Lecture Five (Energy Performance & Grant Aid)

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CYDPH Lecture Six (Historic Ironwork)

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CYDPH Lecture Seven (Historic Bricks)

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CYDPH Lecture Eight (Extending your Period House)

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CYDPH Lecture Nine (Roofs and Chimneys conservation)

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CYDPH Lecture Ten (Lime & Historic Pointing Techniques)

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CYDPH Lecture Eleven (Decorative Plasterwork)

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CYDPH Lecture Twelve (Historic Doors & Staircases)

In Education Awards

2019 Awards

In Updates

Conserving your Dublin Period House: Spring 2019

In Theses

Yours or Mine: Legal Restitutions of Nazi Looted Artworks in the United States and France

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The Influence of the Japanese Screen on the Screens of Eileen Gray

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Sculpture in the Art of Giorgio de Chirico

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The Show Must Go On The Enduring Spectacle of the ‘Other’ Body

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The Contemporary ‘Idea of a University’: A Study in the Recent Architectural Development of Irish Third-Level Institutions

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Piety and Power: Empresses of Byzantium 399-803 A.D.

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Making Pictures A Theoretical Study of Simon Starling’s Pictures for an Exhibition (2014)

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The Presence of Absence: Visual Representations of Argentina’s Desaparacidos

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Hungarian Artists in Munich and the Foundation of the Nagbanaya Colony

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Perhaps ‘Weeping’ is too Crude’: A Study of the Representation of Tears in Twentieth- Century Art

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Art wins when the devil is concerned: Finding the inspiration for Giotto, Bosch and Michelangelo’s devil in their Last Judgement

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An examination of the iconographic evolution of the image of Christ in Early Christian Art.

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Caravaggio’s Gay Guys?

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Unveiling the Existential Element in Louis le Brocquy’s Presence Series

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Hazelwood House A Study of Form, Function and Future

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More than just a pretty face: Self-Portraits of Italian Women Artists and the Shaping of Identity

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The Implications of Servitude: Representations of Slavery in French Art, c. 1860-1870

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Examining the Impact of the 2008 Recession on the Market for Irish Art

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Neoplatonism and the Sistine Chapel: In his depiction of ‘The Last Judgement, how did Michelangelo communicate the conflict between his spirituality and his religion?

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John Singer Sargent:” dovetailing the contemporary and the traditonal.” A study in the grand manner portrait tradition in Britain and Sargent’s contribution to it.

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Masculinity in the work of Gerrit van Honthorst

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The Conservation of Art: Comparative Issues in the Preservation of Manuscripts, Paintings and Sculpture

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Portraits, Politics and Pulchritude, The Court of Agnolo Bronzino

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The Art of Documentation Lee Miller’s Surrealist Ethnography of World War II

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The Development of the Irish Madonna within Twentieth-Century Art

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The Pink Sheep: Encountering the Other in Alexander McQueen’s ‘Voss’

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The Influence of Late Medieval and Early Renaissance Florentine Social Customs on Two Types of Chests Involved in the Marriage Ritual

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No Boundaries: The Work-Art Balance A case-study of Facebook’s Artist in Residence programme

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