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In Theses

The Mortuary Chapel at Glasnevin Cemetery

In Theses

Sign Systems: The Portraits (1997-2000) of Julian Opie

In Theses

Natural Architecture from Nature as an Influence to Architecture to Nature Itself as Architecture

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Sophie Calle: ‘The Marcel Duchamp of Emotional Dirty Laundry?’

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Nineteenth-Century Australian Landscape Painting: Reflections of Society from Colonisation to Federation

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The Changing Portrayal of the Dancer in Late Nineteenth Century French Art as a Reflection of a Changing Society

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An Evaluation of the Leaving Certificate Art History Curriculum ‘A Curriculum forty years in the un-making’

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A Study of Caravaggism in the 17th Century What is more Caravaggio than Caravaggio?

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Glasnevin House

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Conservation and Controversy: An account of Alfonso Rubbiani’s Restorations in Piazza Maggiore and their Context in Europe

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Branding Dublin: ‘Starchitects’ negotiating city identity

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The Primacy of Perception: Olafur Eliasson’s Phenomenological Art

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Sir Andrew Fountaine of Narford Hall, Norfolk, his Palladian Associates in the Reigns of Queen Anne and Kings George I and George II and the Proposed Designs for a Palace at Richmond by Sir Edward

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Edgar Degas: The Role of the Female

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The Concept of the artwork as an Extension of the Self

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From Reynolds to Leibovitz; Are Eighteenth Century Portrait Painters and Twentieth Century Portrait Photographers Really Chalk and Cheese?

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Progress through Press, British Art Periodicals of the Nineteenth Century

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Amadeo Modigliani and his Singularity in the History of Art

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Sir Joshua Reynolds: Problematic Painting

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Is it not about Banksy?

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Viennese Actionism; the Body as a Medium

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'Looking at and Responding to’ An Evaluation of the Discourses between Current Visual Art Education in Primary Schools

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Selling America Back to Herself: Coca-Cola and the Commodification of Beauty

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‘Art for the Nursery has become Art Indeed’ Children’s Book Illustration in late Victorian England

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Turning Science into Art: The Use of Artistic Motifs in Eadweard Muybridge’s Animal Locomotion Series (1884-87)

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The Art of Drinking with Dionysus/Bacchus, in the Seventeenth Century: An Analysis of the Treatment of Bacchic Subjects by Caravaggio, Rubens and Velazquez

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The Development of the Colour Field in Colour Field Painting: From 1940s America to 1960s Britain

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A Study of the Castledermot High Crosses: An Enduring Artistic Impression

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The Art Books of Henri Matisse, An Examination of Twentieth Century Livre de Peintre

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From The Queen to McQueen: Exploring the Validity of Fashion as an Art Form in the Context of the Art Gallery of Museum

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Scale and Identity ABK’s Arts Building at Trinity College Dublin

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Divining Bloodshed Examining the Theme of Blood in Devotional Imagery of the Early Modern Period

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Immutability and Flexibility: The Paradox of the Irish Management Institute

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Jackson Pollock’s Classic Drip Paintings: A Synthesis of Process and Product to Outline the Artistic Merit of his Work

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Japonisme: The Ripple Effect

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Decoding Domesticity: Artistic Representations of Women in the Domestic Space

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Elsa Schiaparelli, Salvador Dali and The Surrealists

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Chic to Chic Elsa Schiaparelli: Between Art and Fashion

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A Study of the Art and Architecture of Ullard Church, Co. Kilkenny

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Sacred Divisions: A Consideration of the Triptych's Survival in Contemporary Art

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The Treatment of Narrative in Seventeenth-Century Religious Art

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Touch of Gold: The Semiotic Perception of Gold in Modern and Contemporary Art with a Focus on the Work of Susan Collis

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1950s American Animation: A Phenomenon & Revival

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Jack O’ Hare Taliesin to Co. Waterford Private Commissions

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Obelisks: From sacred symbols to monuments of triumph and commemoration (An analysis of obelisk appropriation and its transitory meaning)

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The Shades of Gray: Eileen Gray’s Oeuvre and its Influence on Contemporary Irish Furniture Design

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Anne Madden A Modernist Approach to Mythology

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Housing the Worker in Rialto: An Architectural and Social History

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The Influence of the Image of Mary Magdalene

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Women as Victims and Victors in Goya’s Los Desastres de la Guerra

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Art Historical Approaches to the Florentine Renaissance Palace

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Tattoo/Art: Meaning, Medium and Market

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Sidney Nolan and Ned Kelly: Living Through the Landscape

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Tastemakers An Analysis of Taste in a Postmodern Context

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The Restoration of Newman House (1989-1994)

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The Dog in Painting: From Prop to Prominence

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An Analysis of the Work and Merit of Vito d’Ancona as a Painter Within the Context of the Macchia Movement

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Scheduling Civilisation: A study of BBC Art History 1969-2006

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The Sainte Chapelle in Paris

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Gone but no Longer Forgotten-The Life and Career of John Bourke, Architect

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Renaissance Sculpture and its Classical sources

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From Farce to Famine: Interpreting the Conflicting Images of Irish peasant in Erkine Nicol’s Genre Paintings

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A Graphic Designer Milton Glaser Creating ‘Good Work’ Based on the Remnants of Art History

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Archaeology, Anthropology and the Visual Arts

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An Assessment of Panofsky’s Method as applied to Dutch Genre Painting

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Approaches to the Centralised Church in Renaissance Italy in Modern Scholarship

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Architectural Commemoration of the Holocaust in Berlin

In Updates

IGS Conservation Grants Programme 2018

In Theses

Exploring the Image of Medusa

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The Crosses of Castledermot: Context, Content and Meaning

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Nietzche and Brucke: The Influence of Friedrich Nietzche’s ‘Thus Spake Zarathustra on the art of the Brucke Group

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Reflecting on Mirrors: the Role of the Mirror in European Painting from the Fifteenth to the Seventeenth Century

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Hugh Lane: His Vision for Visual Art in Ireland

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The Blue Hour Danish Atmosphere and Identity in P.S.Kroyer’s Blue Paintings

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Object, Image, Place. The Serpentine Gallery Pavilions & the Architecture of Spectacle

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Unconventional Approaches to Jewellery Design in the 20th Century exploring Non-Western Design

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From Communities of Concrete to Concrete Communities: The Social Implications of Social Housing Design

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Seeds for Change: An Exploration of Themes and Subthemes Within the Work of Ai Weiwei

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Mikalojus Konstantinas Ciurlionis Lithuanian Symbolist in the European Context

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Reflecting on Reflections: The Mirrored Works of Anish Kapoor

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The Significance of Saints and their Devotion in the Development of Christian Thought and Practice in Northumbria: A Study in the Cult of St Cuthbert

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Works of Art or Art that Works: A Case Study of ‘Ireland’s Favourite Painting’, 2012- An Aesthetic Response

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O’ Keeffe’s Books- The Seeds of Influence and the Blossoming of O’ Keeffe

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Eakins Uncovered: The Artist, the Nude and Photography

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From Shady Dealer to Public Benefactor: The Image of the Art Dealer from Ernest Gambart to Sir Hugh Lane

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Ten Architectural Concepts: Situating the Shortlisted Designs in the 1996 Architectural Competition for the Millennium Wing of the NGI in the International Context of Museum Design

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The Conflicting Presence of Nation in the Altermodern An Examination of the Art of Globalisation and in it, the presence of National Identity

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A Cultural and Visual Analysis of the Work of Helmut Newton in the Context of Gender, Classicism and the Psycholoanalysis of Visual Pleasure.

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Treatment and Appropriation of Religious Themes in Contemporary Art with Particular Focus on David LaChapelle

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Drawn to Distant Waters

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The Representation of Women and Music in Seventeenth Century Dutch Art

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An Eighteenth-Century Irish Provincial Townhouse: The Case of the Barlow House

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No.6 South Leinster Street: City Dwelling of the Right Honorable Philip Tisdall

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Strictly no Dancing: Didactic Representations of Salome in Renaissance Society

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The Mazzetti Collection

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Christ’s Sign of Benediction An Interaction Between Art & Spectator

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Holbein’s Dance of Death

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The collections of Trinity College Dublin: a history and analysis of the state and extent of the College collections during their golden age.

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To What Extent has Nietzsche’s Philosophy Influenced Edward Munch and in Particular the Scream?

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Sir Basil Goulding One Man’s Meat

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