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M.A.

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20th Century Irish Art & the Crucifixion Theme: An Examination of Context, Treatment and Iconography

Anela Mellett
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA

Subject: Iconography
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

Political Reputation and Glorification in the art of Rubens: A Comparative Study of Allegory in the Medici cycle and the Banqueting House ceiling

Abigail Merker
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Painting
Country: European
Period: 17th Century

Supervisor: Associate Professor John Loughman
56 pages

The Treatment of Narrative in Seventeenth-Century Religious Art

Laura Mitchell

Trinity College Dublin

Department of History of Art and Architecture

2012

BA


Subject: Painting, Sculpture, Drawing, Print and Frescoes

Country: Italy and Spain

Period: 17th Century

A Comparative Study of Venus and the Virgin in Secular and Biblical Art

Aisling Molloy
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Painting
Country: Ireland: Dublin
Period: 20th Century

Supervisor: Dr. Lynda Mulvin
15,000 words

Michael Leo Whelan, Royal Hibernian Academy ( 1892-1956)

Geraldine Molloy
University College Dublin
School of Art History and Cultural Policy
2006
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr. Nicola Figgis
15,000 word

John Connellan Deane: Professional Advancement through the Cork National Exhibition 1852, the Dublin Art Industry Exhibition 1853, and the Manchester Art Treasures Exhibition 1857

Ciara Moloney
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)

Subject: Great Exhibition
Country: Ireland
Period: 19th Century

Supervisor: Dr Philip Cottrell
78 pages

Francisco de Goya's Third of May 1808 is a symbol of political oppression around the world. How have contemporary artists made this painting their own

Michelle Monks
University College Dublin
School of Art History and Cultural Policy
2013
MA

Subject: Painting
Country: Ireland
Period: 19th Century

Supervisor: Dr Róisín Kennedy
15,000 words

The Artist as Jester: Rebellious Humour in Contemporary Art : a Study of Radical and Precarious Humour in the Art of Raymond Pettibon, Kara Walker and Banksy

Julianne Morgan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA

Subject: Mural, Poster Art
Country: U.S.A
Period: 20th Century

20,000 words

Selling Sex: Prostitutes, Mistresses and Courtesans in Seventeenth and Eighteenth-Century British Ar

Isobel Morgan
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Painting
Country: European
Period: 17th and 18th Century

Supervisor: Associate Professor John Loughman
77 pages

Grace Gifford Plunkett: Beyond the Tragedy An examination of Grace Grifford Plunkett’s visual propaganda and its role within Irish women’s nationalism

Kathleen Morgan
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Cartoon/ Visual Culture
Country: Ireland
Period: 20th Century

Supervisor: Dr Aleksandra Gajowy
64 pages

The Development of Techincal School Architecture in Ireland 1889-1932

Anne-Marie Morrin
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA

Subject: Architecture
Country: Ireland
Period: Late 19th and Early 20th Century

Supervisor: Catherine Lawless
21,000 words

Photography and Performance Clothing the Infant Nude in Sally Mann's Immediate Family​

Charlotte Louise McDougall Morrison
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2011
MA

Subject: Photography, Performance Art
Country: U.S.A
Period: 20th Century to 21st Century

20,000 words

The evolution and architecture of Cloughjordan

Lily Mounseley
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2008
MA

Country: Ireland: Tipperary

Supervisor: John Logan
21,000 words

Lord Gerald Fitzgerald, amateur artist, illustrator and etcher

Brendan Mulcahy
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA

Subject: Artist
Country: Ireland
Period: 19th Century

Supervisor: Catherine Lawless
21,000 words

Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene

Ramona Mulcahy
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Prints
Country: America
Period: 20th Century

Supervisor: Dr. John Loughman
15,000 words

Contemporary Jewellery in non-precious material, 1980-2002

Dawn Mulholland
University College Dublin
School of Art History and Cultural Policy
2004
MA

Subject: Jewellery
Period: 20th Century

Supervisor: Dr. Christine Casey
15,000 words

Fine Art at the Great Industrial Exhibition in Dublin in 1853

Sara Mullen
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Painting and Sculpture
Country: Ireland
Period: 19th Century

Supervisor: Dr. Paula Murphy
15,000 words

"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913

Elizabeth Mulvin
University College Dublin
School of Art History and Cultural Policy
2006
MA

Subject: Architecture
Country: Ireland
Period: 20th century

Supervisor: Dr Christine Casey
15,000 words

When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s

Maria Muresan Cosma
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)

Subject: Painting/ Fashion
Country: France
Period: 20th Century

Supervisor: Dr Conor Lucey
105 pages

Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford

Damian Aidan Murphy
University College Dublin
School of Art History and Cultural Policy
1999
MA

Subject: Architecture
Country: Ireland
Period: 18th and 19th Century

Supervisor: Professor McCarthy
15,000 words

Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"

Marian Murphy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Art
Period: 20th Century and 21st Century

20,000 words

Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland

Ruth Musielak
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Painting
Country: Ireland and Europe
Period: 17th and 18th Century

Supervisor: Dr. Christine Casey
15,000 words

An Examination of the Patronage Extended to James Barry, History Painter, by Edmund Burke

Ellen Marie Nagle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA

Subject: Painting/Patronage
Country: Ireland and England
Period: 18th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin

Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)

Subject: Photography and Aesthetics
Country: European
Period: 20th Century

Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages