Harry Kernoff Woodcuts
Deirdre McCarthy
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Printmaking
Country: Ireland
Period: 20th Century
Supervisor: Dr. Paula Murphy
15,000 words
Gods, Goddesses and the Venetian Tradition-Mythological Themes in 16th Century Venetian Painting
Eliza McCormack
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Ireland
Period: 16th Century
Supervisor: Dr. Philip Cottrell
15,000 words
Glass in Contemporary Architecture
Mary McCrohan
University College Dublin
School of Art History and Cultural Policy
2018
MA
Subject: Architecture
Country: Europe
Period: 20th Century to 21st Century
Supervisor: Dr Conor Lucey
15,000 words
The Royal College of Physicians of Ireland, Number 6 Kildare Street: an Architectural History 1859-1875
James McDowell
University College Dublin
School of Art History and Cultural Policy
1994
MA
Subject: Architecture
Country: Ireland
Period: 19th century
Supervisor: Dr Sean O’Reilly
15,000 words
Opening Up the Streets: A Relational Account of the Murals of Northern Ireland
Catherine McEntee
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Murals
Country: Northern Ireland
Period: 20th Century
20,000
Prisoner and Escort: Guercino's St John the Baptist Visited in Prison by Salome at the NGI in Context
Mary McEvoy
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Painting
Country: Italy
Period: 17th century
Supervisor: Dr Philip Cottrell
15,000 words
Cities: Art, Architecture and Aspiration 2009 - 2010
Brigitte McGarry
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Miscellaneous
Country: Europe - North America
Period: 21st Century
Supervisor: Professor Kathleen James-Chakraborty
15,000 words
Georg Pencz allein: A Sixteenth Century Nuremberg Artist
Maeve McGrath
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting and Prints
Country: Nuremberg
Period: 16th Century
Supervisor: Dr. John Loughman
15,000 words
The Architectural Patronage of Cahir
Sinead McGrath
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2012
MA
Subject: Architecture
Country: Tipperary: Cahir
Supervisor: Catherine Lawless
21,000 words
Gendered Spaces at Castletown House, Co Kildare
Rachel McGuinness
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 18th Century
Supervisor: Dr Nicola Figgis
15,000 words
The Science of Poetry. Scientific Analysis in the Paintings of Giorgione and his Circle
Rachael McKenna
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Europe
Period: 2nd -16th Centuries
Supervisor: Dr. Philip Cottrell
15,000 words
Self-Examination: Confronting Female Body Ideals in the Work of Jenny Saville and Lisa Yuskavage
Marie McMahon
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2014
MA
Subject: Painting
Period: 20th Century and 21st Century
Supervisor: Catherine Lawless
21,000 words
Re:performance: Enduring the Past in the Present - the Role of the Audience in the Documentation of Marina Abramović's Performances
Réidín McSweeney
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Performance Art
Country: Europe and U.S.A.
Period: 20th Century
20,000 words
The Influence of Photography on the Painting of Walter Osborne
Denise Meade
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 19th Century
Supervisor: Dr Nicola Figgis
15,000 words
John Lavery’s The Artist’s Studio: Fashioning the Natural as Artifice
Denise Meagher
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)
Subject: Modern/Iconography/Painting/Fashion
Country: Ireland/Britain and Spain
Period: 20th Century
Supervisor: Dr Róisin Kennedy
78 pages
Richard Gorman, Evolution of Style
Philip Meehan
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Painting
Country: Ireland
Period: 21st Century
Supervisor: Dr. Lynda Mulvin
15,000 words
20th Century Irish Art & the Crucifixion Theme: An Examination of Context, Treatment and Iconography
Anela Mellett
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA
Subject: Iconography
Country: Ireland
Period: 20th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
Political Reputation and Glorification in the art of Rubens: A Comparative Study of Allegory in the Medici cycle and the Banqueting House ceiling
Abigail Merker
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Painting
Country: European
Period: 17th Century
Supervisor: Associate Professor John Loughman
56 pages
The Treatment of Narrative in Seventeenth-Century Religious Art
Laura Mitchell
Trinity College Dublin
Department of History of Art and Architecture
2012
BA
Subject: Painting, Sculpture, Drawing, Print and Frescoes
Country: Italy and Spain
Period: 17th Century
A Comparative Study of Venus and the Virgin in Secular and Biblical Art
Aisling Molloy
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Ireland: Dublin
Period: 20th Century
Supervisor: Dr. Lynda Mulvin
15,000 words
Michael Leo Whelan, Royal Hibernian Academy ( 1892-1956)
Geraldine Molloy
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr. Nicola Figgis
15,000 word
John Connellan Deane: Professional Advancement through the Cork National Exhibition 1852, the Dublin Art Industry Exhibition 1853, and the Manchester Art Treasures Exhibition 1857
Ciara Moloney
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)
Subject: Great Exhibition
Country: Ireland
Period: 19th Century
Supervisor: Dr Philip Cottrell
78 pages
Francisco de Goya's Third of May 1808 is a symbol of political oppression around the world. How have contemporary artists made this painting their own
Michelle Monks
University College Dublin
School of Art History and Cultural Policy
2013
MA
Subject: Painting
Country: Ireland
Period: 19th Century
Supervisor: Dr Róisín Kennedy
15,000 words
The Artist as Jester: Rebellious Humour in Contemporary Art : a Study of Radical and Precarious Humour in the Art of Raymond Pettibon, Kara Walker and Banksy
Julianne Morgan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Mural, Poster Art
Country: U.S.A
Period: 20th Century
20,000 words