20th Century Irish Art & the Crucifixion Theme: An Examination of Context, Treatment and Iconography
Anela Mellett
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA
Subject: Iconography
Country: Ireland
Period: 20th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
Political Reputation and Glorification in the art of Rubens: A Comparative Study of Allegory in the Medici cycle and the Banqueting House ceiling
Abigail Merker University College Dublin School of Art History and Cultural Policy 2022 MA (Minor Thesis)
Subject: Painting Country: European Period: 17th Century
Supervisor: Associate Professor John Loughman 56 pages
The Treatment of Narrative in Seventeenth-Century Religious Art
Laura Mitchell
Trinity College Dublin
Department of History of Art and Architecture
2012
BA
Subject: Painting, Sculpture, Drawing, Print and Frescoes
Country: Italy and Spain
Period: 17th Century
A Comparative Study of Venus and the Virgin in Secular and Biblical Art
Aisling Molloy
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Ireland: Dublin
Period: 20th Century
Supervisor: Dr. Lynda Mulvin 15,000 words
Michael Leo Whelan, Royal Hibernian Academy ( 1892-1956)
Geraldine Molloy
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr. Nicola Figgis 15,000 word
John Connellan Deane: Professional Advancement through the Cork National Exhibition 1852, the Dublin Art Industry Exhibition 1853, and the Manchester Art Treasures Exhibition 1857
Ciara Moloney University College Dublin School of Art History and Cultural Policy 2019 MA (minor thesis)
Subject: Great Exhibition Country: Ireland Period: 19th Century
Supervisor: Dr Philip Cottrell 78 pages
Francisco de Goya's Third of May 1808 is a symbol of political oppression around the world. How have contemporary artists made this painting their own
Michelle Monks
University College Dublin
School of Art History and Cultural Policy
2013
MA
Subject: Painting
Country: Ireland
Period: 19th Century
Supervisor: Dr Róisín Kennedy 15,000 words
The Artist as Jester: Rebellious Humour in Contemporary Art : a Study of Radical and Precarious Humour in the Art of Raymond Pettibon, Kara Walker and Banksy
Julianne Morgan University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art 2012 MA
Subject: Mural, Poster Art
Country: U.S.A
Period: 20th Century
20,000 words
Selling Sex: Prostitutes, Mistresses and Courtesans in Seventeenth and Eighteenth-Century British Ar
Isobel Morgan University College Dublin School of Art History and Cultural Policy 2022 MA (Minor Thesis)
Subject: Painting Country: European Period: 17th and 18th Century
Supervisor: Associate Professor John Loughman 77 pages
Grace Gifford Plunkett: Beyond the Tragedy An examination of Grace Grifford Plunkett’s visual propaganda and its role within Irish women’s nationalism
Kathleen Morgan University College Dublin School of Art History and Cultural Policy 2022 MA (Minor Thesis)
Subject: Cartoon/ Visual Culture Country: Ireland Period: 20th Century
Supervisor: Dr Aleksandra Gajowy 64 pages
The Development of Techincal School Architecture in Ireland 1889-1932
Anne-Marie Morrin
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA
Subject: Architecture
Country: Ireland
Period: Late 19th and Early 20th Century
Supervisor: Catherine Lawless
21,000 words
Photography and Performance Clothing the Infant Nude in Sally Mann's Immediate Family
Charlotte Louise McDougall Morrison University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art 2011
MA
Subject: Photography, Performance Art Country: U.S.A
Period: 20th Century to 21st Century
20,000 words
The evolution and architecture of Cloughjordan
Lily Mounseley
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2008
MA
Country: Ireland: Tipperary
Supervisor: John Logan
21,000 words
Lord Gerald Fitzgerald, amateur artist, illustrator and etcher
Brendan Mulcahy
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA
Subject: Artist
Country: Ireland
Period: 19th Century
Supervisor: Catherine Lawless
21,000 words
Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene
Ramona Mulcahy University College Dublin School of Art History and Cultural Policy 2007 MA
Subject: Prints Country: America Period: 20th Century
Supervisor: Dr. John Loughman 15,000 words
Contemporary Jewellery in non-precious material, 1980-2002
Dawn Mulholland
University College Dublin
School of Art History and Cultural Policy
2004
MA
Subject: Jewellery
Period: 20th Century
Supervisor: Dr. Christine Casey 15,000 words
Fine Art at the Great Industrial Exhibition in Dublin in 1853
Sara Mullen
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Painting and Sculpture
Country: Ireland
Period: 19th Century
Supervisor: Dr. Paula Murphy 15,000 words
"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913
Elizabeth Mulvin
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Architecture
Country: Ireland
Period: 20th century
Supervisor: Dr Christine Casey
15,000 words
When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s
Maria Muresan Cosma University College Dublin School of Art History and Cultural Policy 2020 MA (minor thesis)
Subject: Painting/ Fashion Country: France Period: 20th Century
Supervisor: Dr Conor Lucey 105 pages
Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford
Damian Aidan Murphy
University College Dublin
School of Art History and Cultural Policy
1999
MA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
Supervisor: Professor McCarthy 15,000 words
Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"
Marian Murphy University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010 MA
Subject: Art
Period: 20th Century and 21st Century
20,000 words
Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland
Ruth Musielak
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Ireland and Europe
Period: 17th and 18th Century
Supervisor: Dr. Christine Casey 15,000 words
An Examination of the Patronage Extended to James Barry, History Painter, by Edmund Burke
Ellen Marie Nagle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA
Subject: Painting/Patronage
Country: Ireland and England
Period: 18th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin
Victor Naine de Almeida University College Dublin School of Art History and Cultural Policy 2021 MA (minor thesis)
Subject: Photography and Aesthetics Country: European Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald 67 pages