Education - Theses Register | Irish Georgian Society

Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene

Ramona Mulcahy
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Prints
Country: America
Period: 20th Century

Supervisor: Dr. John Loughman
15,000 words

Lord Gerald Fitzgerald, amateur artist, illustrator and etcher

Brendan Mulcahy
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA

Subject: Artist
Country: Ireland
Period: 19th Century

Supervisor: Catherine Lawless
21,000 words

Contemporary Jewellery in non-precious material, 1980-2002

Dawn Mulholland
University College Dublin
School of Art History and Cultural Policy
2004
MA

Subject: Jewellery
Period: 20th Century

Supervisor: Dr. Christine Casey
15,000 words

Fine Art at the Great Industrial Exhibition in Dublin in 1853

Sara Mullen
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Painting and Sculpture
Country: Ireland
Period: 19th Century

Supervisor: Dr. Paula Murphy
15,000 words

"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913

Elizabeth Mulvin
University College Dublin
School of Art History and Cultural Policy
2006
MA

Subject: Architecture
Country: Ireland
Period: 20th century

Supervisor: Dr Christine Casey
15,000 words

When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s

Maria Muresan Cosma
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)

Subject: Painting/ Fashion
Country: France
Period: 20th Century

Supervisor: Dr Conor Lucey
105 pages

Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford

Damian Aidan Murphy
University College Dublin
School of Art History and Cultural Policy
1999
MA

Subject: Architecture
Country: Ireland
Period: 18th and 19th Century

Supervisor: Professor McCarthy
15,000 words

Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"

Marian Murphy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Art
Period: 20th Century and 21st Century

20,000 words

Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland

Ruth Musielak
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Painting
Country: Ireland and Europe
Period: 17th and 18th Century

Supervisor: Dr. Christine Casey
15,000 words

An Examination of the Patronage Extended to James Barry, History Painter, by Edmund Burke

Ellen Marie Nagle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA

Subject: Painting/Patronage
Country: Ireland and England
Period: 18th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin

Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)

Subject: Photography and Aesthetics
Country: European
Period: 20th Century

Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages

The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin

Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)

Subject: Photography and Aesthetics
Country: Europe
Period: 20th Century

Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages

A study of the painting 'St Charles Borromeo and St Michael the Archangel' by Giulio Cesare Procaccini (1574-1625) in the National Gallery of Ireland

Patricia Nash McKenna
University College Dublin
School of Art History and Cultural Policy
1974
MA

Subject: Painting
Country: Italy
Period: Early 17th Century

Supervisor: Professor Francoise Henry
15,000 words

‘The Casement Problem’ Placing Commemorative Monuments in a changing Memorialised Landscape

Daniel Nelis
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Visual Culture
Country: Ireland
Period: 20th Century

Supervisor: Associate Professor Emily Mark-FitzGerald
94 pages

Art and Godly Rule: The Impact of Savonarola on Artistic Development in Florence During the 1490s

Deirdre M Neston
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA

Subject: Art
Country: Italy
Period: 15th Century

Supervisor: Catherine Lawless
21,000 words

The Forum of Augustus: The Exploitation of Roman Memory and the Cult of the Ancestors in the Legitimisation of the Julian Dynasty

Mary Nevin
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)

Subject: Architecture
Country: Italy
Period: 2nd Century BC

Supervisor: Dr Sean Leatherbury
83 pages

Gerard Dillon and his depictions on the West of Ireland

Nuala Ni Dhomhnaill
University College Dublin
School of Art History and Cultural Policy
2000
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr. Christine Casey and Roisin Kennedy
15,000 words

The Illuminated Manuscripts of Sister Mary Clare Augustine Moore (1808-1880)

Maire Ni Phluingceid
University College Dublin
School of Art History and Cultural Policy
2004
MA

Subject: Manuscripts
Country: Ireland
Period: 19th Century

Supervisor: Dr. Christine Casey
15,000 words

Construction of Identity: The Studio Portraits of Countess Markievicz

Ailbhe Nic Cinngamhna
University College Dublin
School of Art History and Cultural Policy
2018
MA

Subject: Studio Portraits
Country: Ireland
Period: 20th Century

Supervisor: Dr Róisín Kennedy
15,000 words

Objects of veneration or works of art?

Agnes Nolan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA

Supervisor: Catherine Lawless
21,000 words

The Iconography of Woman in the Work of Harry Clarke

Karen Normoyle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA

Subject: Stained Glass
Country: Ireland
Period: Early 20th Century

Supervisor: Catherine Lawless
21,000 words

Through the Eye of the Beholder: Examining the Relationship Between Photography and Love

Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA

Subject: Photography

20,000 words

Did the Paintings of Frederic Remongton (1861-1909) and the Photographs of Native Americans by Edward S. Curtis (1868-1952) Contribute to the Myth of the West?

Susan Nowlan
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: painting and photographs
Country: Ireland
Period: 17th century

Supervisor: Professor Kathleen James- Chakraborty
15,000 words

A Discussion of the Influence of Peter Paul Rubens on Certain Madrid Based Spanish Painters in the Second Half of the Seventeenth Century

Philip Nugent
University College Dublin
School of Art History and Cultural Policy
2003
MA

Subject: Painting
Country: Spain
Period: 17th century

15,000 words

Education Theses Register —M.A.

Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene

Lord Gerald Fitzgerald, amateur artist, illustrator and etcher

Contemporary Jewellery in non-precious material, 1980-2002

Fine Art at the Great Industrial Exhibition in Dublin in 1853

"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913

When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s

Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford

Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"

Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland

An Examination of the Patronage Extended to James Barry, History Painter, by Edmund Burke

The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin

The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin

A study of the painting 'St Charles Borromeo and St Michael the Archangel' by Giulio Cesare Procaccini (1574-1625) in the National Gallery of Ireland

‘The Casement Problem’ Placing Commemorative Monuments in a changing Memorialised Landscape

Art and Godly Rule: The Impact of Savonarola on Artistic Development in Florence During the 1490s

The Forum of Augustus: The Exploitation of Roman Memory and the Cult of the Ancestors in the Legitimisation of the Julian Dynasty

Gerard Dillon and his depictions on the West of Ireland

The Illuminated Manuscripts of Sister Mary Clare Augustine Moore (1808-1880)

Construction of Identity: The Studio Portraits of Countess Markievicz

Objects of veneration or works of art?

The Iconography of Woman in the Work of Harry Clarke

Through the Eye of the Beholder: Examining the Relationship Between Photography and Love

Did the Paintings of Frederic Remongton (1861-1909) and the Photographs of Native Americans by Edward S. Curtis (1868-1952) Contribute to the Myth of the West?

A Discussion of the Influence of Peter Paul Rubens on Certain Madrid Based Spanish Painters in the Second Half of the Seventeenth Century

Education Theses Register —
M.A.