Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene
Ramona Mulcahy
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Prints
Country: America
Period: 20th Century
Supervisor: Dr. John Loughman
15,000 words
Lord Gerald Fitzgerald, amateur artist, illustrator and etcher
Brendan Mulcahy
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA
Subject: Artist
Country: Ireland
Period: 19th Century
Supervisor: Catherine Lawless
21,000 words
Contemporary Jewellery in non-precious material, 1980-2002
Dawn Mulholland
University College Dublin
School of Art History and Cultural Policy
2004
MA
Subject: Jewellery
Period: 20th Century
Supervisor: Dr. Christine Casey
15,000 words
Fine Art at the Great Industrial Exhibition in Dublin in 1853
Sara Mullen
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Painting and Sculpture
Country: Ireland
Period: 19th Century
Supervisor: Dr. Paula Murphy
15,000 words
"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913
Elizabeth Mulvin
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Architecture
Country: Ireland
Period: 20th century
Supervisor: Dr Christine Casey
15,000 words
When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s
Maria Muresan Cosma
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)
Subject: Painting/ Fashion
Country: France
Period: 20th Century
Supervisor: Dr Conor Lucey
105 pages
Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford
Damian Aidan Murphy
University College Dublin
School of Art History and Cultural Policy
1999
MA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
Supervisor: Professor McCarthy
15,000 words
Reconfiguring Sublimity: an Examination of the Sublime Aesthetic and its Relevancy to a Contemporary Art Context, Baudrillard's Transaesthetics and the "Vanishing point of Art"
Marian Murphy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Art
Period: 20th Century and 21st Century
20,000 words
Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland
Ruth Musielak
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Ireland and Europe
Period: 17th and 18th Century
Supervisor: Dr. Christine Casey
15,000 words
An Examination of the Patronage Extended to James Barry, History Painter, by Edmund Burke
Ellen Marie Nagle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA
Subject: Painting/Patronage
Country: Ireland and England
Period: 18th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin
Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)
Subject: Photography and Aesthetics
Country: European
Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages
The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin
Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Photography and Aesthetics
Country: Europe
Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages
A study of the painting 'St Charles Borromeo and St Michael the Archangel' by Giulio Cesare Procaccini (1574-1625) in the National Gallery of Ireland
Patricia Nash McKenna
University College Dublin
School of Art History and Cultural Policy
1974
MA
Subject: Painting
Country: Italy
Period: Early 17th Century
Supervisor: Professor Francoise Henry
15,000 words
‘The Casement Problem’ Placing Commemorative Monuments in a changing Memorialised Landscape
Daniel Nelis
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Visual Culture
Country: Ireland
Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald
94 pages
Art and Godly Rule: The Impact of Savonarola on Artistic Development in Florence During the 1490s
Deirdre M Neston
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA
Subject: Art
Country: Italy
Period: 15th Century
Supervisor: Catherine Lawless
21,000 words
The Forum of Augustus: The Exploitation of Roman Memory and the Cult of the Ancestors in the Legitimisation of the Julian Dynasty
Mary Nevin
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)
Subject: Architecture
Country: Italy
Period: 2nd Century BC
Supervisor: Dr Sean Leatherbury
83 pages
Gerard Dillon and his depictions on the West of Ireland
Nuala Ni Dhomhnaill
University College Dublin
School of Art History and Cultural Policy
2000
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr. Christine Casey and Roisin Kennedy
15,000 words
The Illuminated Manuscripts of Sister Mary Clare Augustine Moore (1808-1880)
Maire Ni Phluingceid
University College Dublin
School of Art History and Cultural Policy
2004
MA
Subject: Manuscripts
Country: Ireland
Period: 19th Century
Supervisor: Dr. Christine Casey
15,000 words
Construction of Identity: The Studio Portraits of Countess Markievicz
Ailbhe Nic Cinngamhna
University College Dublin
School of Art History and Cultural Policy
2018
MA
Subject: Studio Portraits
Country: Ireland
Period: 20th Century
Supervisor: Dr Róisín Kennedy
15,000 words
Objects of veneration or works of art?
Agnes Nolan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA
Supervisor: Catherine Lawless
21,000 words
The Iconography of Woman in the Work of Harry Clarke
Karen Normoyle
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA
Subject: Stained Glass
Country: Ireland
Period: Early 20th Century
Supervisor: Catherine Lawless
21,000 words
Through the Eye of the Beholder: Examining the Relationship Between Photography and Love
Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA
Subject: Photography
20,000 words
Did the Paintings of Frederic Remongton (1861-1909) and the Photographs of Native Americans by Edward S. Curtis (1868-1952) Contribute to the Myth of the West?
Susan Nowlan
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: painting and photographs
Country: Ireland
Period: 17th century
Supervisor: Professor Kathleen James- Chakraborty
15,000 words
A Discussion of the Influence of Peter Paul Rubens on Certain Madrid Based Spanish Painters in the Second Half of the Seventeenth Century
Philip Nugent
University College Dublin
School of Art History and Cultural Policy
2003
MA
Subject: Painting
Country: Spain
Period: 17th century
15,000 words