Francis Bacon: Four examples of Destroyed Canvases
Alice Giammaria
University College Dublin
School of Art History and Cultural Policy
2009
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr. Margarita Cappock
15,000 words
The Influences of International Movements in Limerick Architecture, 1932-1963
Emma Gilleece
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA
Subject: Architecture
Country: Ireland: Limerick
Period: Mid 20th Century
Supervisor: Catherine Lawless
21,000 words
The Availability and Influence of Dutch Art on Irish Eighteenth Century Landscape Artists
Margaret Glynn
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA
Subject: Painting
Country: Netherlands and Ireland
Period: 18th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
‘Scared as a Rabbit, Bold as a Bear’ Norman Rockwell (1894-1978)
Jennifer Goff
University College Dublin
School of Art History and Cultural Policy
1998
MA (minor thesis)
Subject: Painting
Country: U.S.A.
Period: 20th Century
Supervisor: Prof. Michael McCarthy
15,000 words
The Heraldic Paintings of the Rotunda Lying-In Hospital
Lorraine Gray
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Painting
Country: Ireland: Dublin
Period: 18th to 20th Centuries
Supervisor: Dr. Christine Casey
15,000 words
Bringing up Tobias: The Younger Tobias in 16th Century Venetian Art
Helen Grixiti
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)
Subject: Painting
Country: Italy
Period: 16th Century
Supervisor: Dr Philip Cottrell
110 pages
Sensory Curation An Examination of Curatorial Practice in Art Science Spaces as it relates to Crip Art, Visual Impairment and Acces
Muiríosa Guinan
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Curatorial Practice/Crip Art
Country: Irish
Period: 20th Century and 21st Century
Supervisor: Professor Lynda Mulvin
80 page
Is Architectural Romanticism Dead? A Study of the Architecture of Ramelton, its Ruins and a Crusade to Capture their Significance with the use of Romanticism and the Picturesque
Mary Haggan
University College Dublin
School of Art History and Cultural Policy
2017
MA
Subject: Architecture
Country: Ireland
Period: 13th– 17th Centuries
Supervisor: Dr Conor Lucey
15,000 words
The White Quarry, Ardbraccan, Co Meath
Tony Hand
University College Dublin
School of Art History and Cultural Policy
2003
MA
Subject: Architecture
Country: Ireland
Supervisor: Dr. Christine Casey
15,000 words
Antiquarian Views of County Wexford 1775-1870
Ann Hanlon
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Watercolours and Prints
Country: Ireland
Period: 18th and 19th Century
Supervisor: Dr. Nicola Figgis
15,000 words
The Role of Architecture in Theatre and Film: Inigo Jones, the Gothic Revival and Harry Potter
Lynn Hanrahan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA
Subject: Architecture
Supervisor: Catherine Lawless
21,000 words
Metaphysical and Supernatural Themes in the Photography of Ana Mendieta and Francesca Woodman
Norah-Jane Harte
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Photography
Country: U.S.A
Period: 20th Century
20,000 words
Adolescent Sexuality: Tension and Conflict in the Paintings of Otto Dix
Anna V. Hartz
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Painting
Country: Germany
Period: 20th Century
20,000 words
The Modern & Contemporary Revival of Needlework. Case study: the Ros Tapestry
Lucia Hastings
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Applied Arts
Country: Ireland
Period: 20th Century
Supervisor: Dr. Lynda Mulvin
15,000 words
An Investigation into the Transgressive Action Within Contemporary Art Practice: Examining the Purpose, Method and Affect of the artist's Transgressive Handling of the Taboo Subject
Sharon Hayes
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Art
Period: 21st Century
20,000 words
Portrait of Two Venetian Gentlemen in the National Gallery of Ireland: A Question of Identity
Rachel Healy
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Italy
Period: 16th Century
Supervisor: Dr Philip Cottrell
15,000 words
Montage as Devise: a Combined Analysis with Neuroscience to Explore the Limits of Meaning Within the Art Object
Eleanor Healy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Art
Period: 20th Century
20,000 words
Some examples of the Influence of International Style on the Domestic Architecture of the Dun Laoghaire- Rathdown Borough between 1935 and 1950
Emmeline Henderson
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Architecture
Country: Ireland
Period: 20th century
Supervisor: Dr Christine Casey
15,000 words
Eighteenth-century chimney-pieces
Lorrie Henehan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2008
MA
Period: 18th Century
Supervisor: John Logan
21,000 words
William Scott
Nora Hickey
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Catherine Lawless
Approx. 33,000 words
Origins of Inspiration: Analysing and Contextualising the figure of the African servant in Jan Steen’s The Marriage Feast of Cana by conducting a comparison with Paolo Veronese’s The Wedding at Cana
Suzanne Holland-Mayes
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)
Subject: Painting/Iconography/Colonialism
Country: Italy and the Netherlands
Period: 17th Century
Supervisor: Dr Sean Leatherbury
62 pages
Lady Lavery and the World of Fashion
Caitriona Holt
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Painting and Fashion
Country: England and Ireland
Period: 19th and 20th Century
15,000 words
The Green Fingers of a Lady: Gender in Early Modern art Collectorship An intersectional Analysis of the Identity of Art Collector Agnes Block (1629-1704)
Joelle Hopman
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Art Collecting
Country: The Netherlands
Period: 17th-18th Century
Supervisor: Associate Professor John Loughman
68 pages
Creating Madness: an Investigation into the Effect of Mental Illness on the Reception of Art and Artists
James Horan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Art, Mental Illness
20,000 words