Education - Theses Register | Irish Georgian Society

Francis Bacon: Four examples of Destroyed Canvases

Alice Giammaria
University College Dublin
School of Art History and Cultural Policy
2009
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr. Margarita Cappock

15,000 words

The Influences of International Movements in Limerick Architecture, 1932-1963

Emma Gilleece
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA

Subject: Architecture
Country: Ireland: Limerick
Period: Mid 20th Century

Supervisor: Catherine Lawless
21,000 words

The Availability and Influence of Dutch Art on Irish Eighteenth Century Landscape Artists

Margaret Glynn
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA

Subject: Painting
Country: Netherlands and Ireland
Period: 18th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

‘Scared as a Rabbit, Bold as a Bear’ Norman Rockwell (1894-1978)

Jennifer Goff
University College Dublin
School of Art History and Cultural Policy
1998
MA (minor thesis)

Subject: Painting
Country: U.S.A.
Period: 20th Century

Supervisor: Prof. Michael McCarthy
15,000 words

The Heraldic Paintings of the Rotunda Lying-In Hospital

Lorraine Gray
University College Dublin
School of Art History and Cultural Policy
2006
MA

Subject: Painting
Country: Ireland: Dublin
Period: 18th to 20th Centuries

Supervisor: Dr. Christine Casey
15,000 words

Bringing up Tobias: The Younger Tobias in 16th Century Venetian Art

Helen Grixiti
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)

Subject: Painting
Country: Italy
Period: 16th Century

Supervisor: Dr Philip Cottrell
110 pages

Sensory Curation An Examination of Curatorial Practice in Art Science Spaces as it relates to Crip Art, Visual Impairment and Acces

Muiríosa Guinan
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)

Subject: Curatorial Practice/Crip Art
Country: Irish
Period: 20th Century and 21st Century

Supervisor: Professor Lynda Mulvin
80 page

Is Architectural Romanticism Dead? A Study of the Architecture of Ramelton, its Ruins and a Crusade to Capture their Significance with the use of Romanticism and the Picturesque

Mary Haggan
University College Dublin
School of Art History and Cultural Policy
2017
MA

Subject: Architecture
Country: Ireland
Period: 13th– 17th Centuries

Supervisor: Dr Conor Lucey
15,000 words

The White Quarry, Ardbraccan, Co Meath

Tony Hand
University College Dublin
School of Art History and Cultural Policy
2003
MA

Subject: Architecture
Country: Ireland

Supervisor: Dr. Christine Casey
15,000 words

Antiquarian Views of County Wexford 1775-1870

Ann Hanlon
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Watercolours and Prints
Country: Ireland
Period: 18th and 19th Century

Supervisor: Dr. Nicola Figgis
15,000 words

The Role of Architecture in Theatre and Film: Inigo Jones, the Gothic Revival and Harry Potter

Lynn Hanrahan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2013
MA

Subject: Architecture

Supervisor: Catherine Lawless
21,000 words

Metaphysical and Supernatural Themes in the Photography of Ana Mendieta and Francesca Woodman

Norah-Jane Harte
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Photography
Country: U.S.A
Period: 20th Century

20,000 words

Adolescent Sexuality: Tension and Conflict in the Paintings of Otto Dix

Anna V. Hartz
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Painting
Country: Germany
Period: 20th Century

20,000 words

The Modern & Contemporary Revival of Needlework. Case study: the Ros Tapestry

Lucia Hastings
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: Applied Arts
Country: Ireland
Period: 20th Century

Supervisor: Dr. Lynda Mulvin
15,000 words

An Investigation into the Transgressive Action Within Contemporary Art Practice: Examining the Purpose, Method and Affect of the artist's Transgressive Handling of the Taboo Subject

Sharon Hayes
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA

Subject: Art
Period: 21st Century

20,000 words

Portrait of Two Venetian Gentlemen in the National Gallery of Ireland: A Question of Identity

Rachel Healy
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Italy
Period: 16th Century

Supervisor: Dr Philip Cottrell
15,000 words

Montage as Devise: a Combined Analysis with Neuroscience to Explore the Limits of Meaning Within the Art Object

Eleanor Healy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Art
Period: 20th Century

20,000 words

Some examples of the Influence of International Style on the Domestic Architecture of the Dun Laoghaire- Rathdown Borough between 1935 and 1950

Emmeline Henderson
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Architecture
Country: Ireland
Period: 20th century

Supervisor: Dr Christine Casey
15,000 words

Eighteenth-century chimney-pieces

Lorrie Henehan
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2008
MA

Period: 18th Century

Supervisor: John Logan
21,000 words

William Scott

Nora Hickey
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

Origins of Inspiration: Analysing and Contextualising the figure of the African servant in Jan Steen’s The Marriage Feast of Cana by conducting a comparison with Paolo Veronese’s The Wedding at Cana

Suzanne Holland-Mayes
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)

Subject: Painting/Iconography/Colonialism
Country: Italy and the Netherlands
Period: 17th Century

Supervisor: Dr Sean Leatherbury
62 pages

Lady Lavery and the World of Fashion

Caitriona Holt
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Painting and Fashion
Country: England and Ireland
Period: 19th and 20th Century

15,000 words

The Green Fingers of a Lady: Gender in Early Modern art Collectorship An intersectional Analysis of the Identity of Art Collector Agnes Block (1629-1704)

Joelle Hopman
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Art Collecting
Country: The Netherlands
Period: 17th-18th Century

Supervisor: Associate Professor John Loughman
68 pages

Creating Madness: an Investigation into the Effect of Mental Illness on the Reception of Art and Artists

James Horan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA

Subject: Art, Mental Illness

20,000 words

Education Theses Register —M.A.

Francis Bacon: Four examples of Destroyed Canvases

The Influences of International Movements in Limerick Architecture, 1932-1963

The Availability and Influence of Dutch Art on Irish Eighteenth Century Landscape Artists

‘Scared as a Rabbit, Bold as a Bear’ Norman Rockwell (1894-1978)

The Heraldic Paintings of the Rotunda Lying-In Hospital

Bringing up Tobias: The Younger Tobias in 16th Century Venetian Art

Sensory Curation An Examination of Curatorial Practice in Art Science Spaces as it relates to Crip Art, Visual Impairment and Acces

Is Architectural Romanticism Dead? A Study of the Architecture of Ramelton, its Ruins and a Crusade to Capture their Significance with the use of Romanticism and the Picturesque

The White Quarry, Ardbraccan, Co Meath

Antiquarian Views of County Wexford 1775-1870

The Role of Architecture in Theatre and Film: Inigo Jones, the Gothic Revival and Harry Potter

Metaphysical and Supernatural Themes in the Photography of Ana Mendieta and Francesca Woodman

Adolescent Sexuality: Tension and Conflict in the Paintings of Otto Dix

The Modern & Contemporary Revival of Needlework. Case study: the Ros Tapestry

An Investigation into the Transgressive Action Within Contemporary Art Practice: Examining the Purpose, Method and Affect of the artist's Transgressive Handling of the Taboo Subject

Portrait of Two Venetian Gentlemen in the National Gallery of Ireland: A Question of Identity

Montage as Devise: a Combined Analysis with Neuroscience to Explore the Limits of Meaning Within the Art Object

Some examples of the Influence of International Style on the Domestic Architecture of the Dun Laoghaire- Rathdown Borough between 1935 and 1950

Eighteenth-century chimney-pieces

William Scott

Origins of Inspiration: Analysing and Contextualising the figure of the African servant in Jan Steen’s The Marriage Feast of Cana by conducting a comparison with Paolo Veronese’s The Wedding at Cana

Lady Lavery and the World of Fashion

The Green Fingers of a Lady: Gender in Early Modern art Collectorship An intersectional Analysis of the Identity of Art Collector Agnes Block (1629-1704)

Creating Madness: an Investigation into the Effect of Mental Illness on the Reception of Art and Artists

Education Theses Register —
M.A.