Education - Theses Register | Irish Georgian Society

Art in Industry: Waterford Crystal 1947 - c.1987

Christina Hunt
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA

Subject: Glass
Country: Ireland: Waterford
Period: Mid to Late 20th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

Lord Valentine Cloncurry's Roman Columns: an Exemplar of Late Eighteenth-Century Anglo-Irish Material Culture

Sarah Hurley
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: architecture/ material culture
Country: Ireland
Period: 18th century

Supervisor: Dr Lynda Mulvin
15,000 words

An Appreciation of St. John’s Church, Limerick

Sinead Hutchison
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2006
MA

Country: Ireland: Limerick
Period: From Medieval times to Present

Supervisor: Catherine Lawless
21,000 words

The Lost Baths: A study of Ireland's 19th Century Turkish Baths

Huda Jaber
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Architecture
Country: Ireland
Period: 19th Century

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

The Gothic Revival in Irish Domestic Architecture

Lizanne Jackman
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2005
MA

Subject: Architecture
Country: Ireland

Supervisor: John Logan
21,000 words

Analysing the Domestic, Commercial and Social life of Propertied Bachelor James Ware of no. 21 St. Stephen's Green, Dublin

Kate Jameson
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: Architecture
Location: Ireland
Period: 18th Century

Supervisor: Dr Nicola Figgis
15,000 words

The Museum of the Future: The Post Industrial Museum of Contemporary Art as an Open- Source Driver of Creativity

Olga Johnston
University College Dublin
School of Art History and Cultural Policy
2010
MA

Subject: Architecture and Museum Studies
Country: Ireland
Period: 21st Century

Supervisor: Professor Kathleen James- Chakraborty
15,000 words

Cultural Presentations and Collective Memory in Ireland

Victoria Jones
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)

Subject: Contenporary Art
Country: Ireland
Period: 21st Century

Supervisor: Associate Professor Emily Mark-FitzGerald
81 pages

The Art of Countess Markievicz

Josephine Joyce
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA

Subject: Art
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
21,000 words

Fairy Tales in Symbolist and Surrealist Art: Hans Christian Anderson, Harry Clarke and Salvador Dali

Ewa Kaminska
University College Dublin
School of Art History and Cultural Policy
2016
MA

Subject: Painting
Country: Ireland, Spain
Period: 20th Century

Supervisor: Dr. Róisín Kennedy
15,000 words

Symbolic Use of the Countryside in Late Nineteenth and Early Twentieth Century Polish Painting

Maria Anna Kazuro
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Polish
Period: late 19th and early 20th Century

Supervisor: Professor Paula Murphy
15,000 words

Mary Swanzy

Lorraine Keane
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2008
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
21,000 words

Constituting Ireland’s National Monument – amidst Social, Political and Cultural Evolution

Mary Kearney
University College Dublin
School of Art History and Cultural Policy
2004
MA

Country: Ireland
Period: 20th and 21st Century

Supervisor: Dr. Paula Murphy
15,000 words

The Painting of Birds and Fowl in the Low Countries Between 1550 and 1650

Joy Kearney
University College Dublin
School of Art History and Cultural Policy
1994
MA

Subject: Painting
Country: Netherlands
Period: 16th and 17th Century

Supervisor: Dr. Eileen Kane
15,000 words

The Policies for the preservation of public Sculptures and Monuments in Ireland: a Review

Emma Keating
University College Dublin
School of Art History and Cultural Policy
1997
MA

Subject: Sculpture and Architecture
Country: Ireland

Supervisor: Dr. Lynda Mulvin
15,000 words

Moving close to touch : trauma, empathy and affect in the work of Rebecca Horn

Sarah Kelleher
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA

Subject: Installation and Film
Country:Germany
Period: 20th Century

20,000 words

Simon Kick & Painting of 17th Century Dutch Artist Studio’s

Louise Kelly
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Painting
Country: Dutch
Period: 17th Century

Supervisor: Dr. John Loughman
15,000 words

Defining an Irish Identity through the Visual Response to the 1916 Rising

Deirdre Kelly
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2009
MA

Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
21,000 words

Paintings in St Anthony Chapel in Franciscan Church of the Immaculate Conception, Merchants Quay

Delphine Kelly
University College Dublin
School of Art History and Cultural Policy
2004
MA

Subject: painting
Country: Ireland

Supervisor: Dr Christine Casey
15,000 words

An Examination of Photography Through Depictions of New York

Jane Kelly
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Photography
Country: America
Period: 20th Century

Supervisor: Prof. Kathleen James-Chakraborty
15,000 words

Seen and Not Heard: A Study of Margaret Clarke’s Illustrative Paintings of Childhood in 1920s Ireland.

Margaret Anne Kelly
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2014
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
21,000 words

A Thesis on the Life and Work of James Pearse in in the Context of the Catholic Church in the Nineteenth Century

Eithne Kelly
University College Dublin
School of Art History and Cultural Policy
2012
MA

Subject: Painting
Country: France
Period: 20th Century

Supervisor: Dr Paula Murphy
15,000 words

Dress and the Deconstruction of Female Identity in contemporary performance art

Marie Kelly
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)

Subject: Modern Contemporary/Performance Art/Fashion
Country: Ireland/Various
Period: 20th Century-21st Century

Supervisor: Dr Róisín Kennedy
72 pages

Auction Houses in Ireland and Irish Art at Auction

Grania Brigid Kennedy
University College Dublin
School of Art History and Cultural Policy
1997
MA

Country: Ireland

Supervisor: Professor McCarthy
15,000 words

Education Theses Register —M.A.

Art in Industry: Waterford Crystal 1947 - c.1987

Lord Valentine Cloncurry's Roman Columns: an Exemplar of Late Eighteenth-Century Anglo-Irish Material Culture

An Appreciation of St. John’s Church, Limerick

The Lost Baths: A study of Ireland's 19th Century Turkish Baths

The Gothic Revival in Irish Domestic Architecture

Analysing the Domestic, Commercial and Social life of Propertied Bachelor James Ware of no. 21 St. Stephen's Green, Dublin

The Museum of the Future: The Post Industrial Museum of Contemporary Art as an Open- Source Driver of Creativity

Cultural Presentations and Collective Memory in Ireland

The Art of Countess Markievicz

Fairy Tales in Symbolist and Surrealist Art: Hans Christian Anderson, Harry Clarke and Salvador Dali

Symbolic Use of the Countryside in Late Nineteenth and Early Twentieth Century Polish Painting

Mary Swanzy

Constituting Ireland’s National Monument – amidst Social, Political and Cultural Evolution

The Painting of Birds and Fowl in the Low Countries Between 1550 and 1650

The Policies for the preservation of public Sculptures and Monuments in Ireland: a Review

Moving close to touch : trauma, empathy and affect in the work of Rebecca Horn

Simon Kick & Painting of 17th Century Dutch Artist Studio’s

Defining an Irish Identity through the Visual Response to the 1916 Rising

Paintings in St Anthony Chapel in Franciscan Church of the Immaculate Conception, Merchants Quay

An Examination of Photography Through Depictions of New York

Seen and Not Heard: A Study of Margaret Clarke’s Illustrative Paintings of Childhood in 1920s Ireland.

A Thesis on the Life and Work of James Pearse in in the Context of the Catholic Church in the Nineteenth Century

Dress and the Deconstruction of Female Identity in contemporary performance art

Auction Houses in Ireland and Irish Art at Auction

Education Theses Register —
M.A.