Dollardstown House: A Detailed Outline of a 1734 House by Richard Castle
Lynda Laffan
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Architecture
Country: Ireland
Period: 18th Century
15,000 words
John Smyth, A.R.H.A., c.1776 – 1840, Dublin Sculptor
Margaret M. Larkin
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Sculpture
Country: Ireland
Period: 19th Century
15,000 words
Art and Psychic Life: the Work and Writings of Louise Bourgeois
Joanne Marie Lawlor
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Sculpture
Country: France, U.S.A
Period: 20th Century
20,000 words
An Aesthetic 'Picture' of Gerhard Richter: Perceptions of the Painting, the Photography, and Abstraction in the 1970s and 1980s
Aoife Leach
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Painting
Country: Germany
Period: 20th Century
20,000 words
Disability and the Disabled Body in Art and Art History
Micaela Licata
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)
Subject: Representations of Disability
Country: Italy
Period: 16th Century
Supervisor: Dr Róisín Kennedy
74 pages
Disability and the disabled body in art and art history
Micaela Licata
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Representations of Disability
Country: 17th Century Spanish and Contemporary
Period: 17th Century – 21st Century
Supervisor: Dr Róisín Kennedy
74 page
Lifting the Veil: The Veiled Christ and the Sansevero Chapel, Naples
Ruth Lockhart
University College Dublin
School of Art History and Cultural Policy
2018
MA
Subject: Sculpture
Country: Italy
Period: 18th Century
Supervisor: Dr Philip Cottrell
15,000 words
Palma Vecchio´s portrait of Paola Priuli in the context of the evolution of idealized female portraiture in Venice
Susanne Lopan
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)
Subject: Painting/ Portraiture
Country: Italy
Period: 16th Century
Supervisor: Associate Professor Philip Cottrell
91 pages
Birth and Rebirth: The Transformation of Botticelli's Birth of Venus
Raquel Cohen
University College Dublin
School of Art History and Cultural Policy
2015
MA
Subject: Renaissance Painting
Country: Italy
Period: 15th and 16th Century
Supervisor: Dr John Loughman
15,000 words
Picturing the Peace: Reflections of the War of the League of Cambrai and its Aftermath in Venetian Painting 1516-1600
Aideen Siobhán Lowe
University College Dublin
School of Art History and Cultural Policy
2017
MA
Subject: Venetian Painting
Country: Italy
Period: 16th- 17th Century
Supervisor: Dr. Philip Cottrell
15,000 words
Architecture for Modern Art
Gillian Lowry
University College Dublin
School of Art History and Cultural Policy
2009
MA
Subject: Architecture and Museums
Country: Ireland,U.S.A. and England
Period: 20th - 21st Century
Supervisor: Prof. Kathleen James-Chakraborty
15,000 words
Vong Phaophanit: Material and Metonymy
Conor Lucey
University College Dublin
School of Art History and Cultural Policy
2003
MA
Subject: Contemporary Art
Country: International
Period: 20th Century
Supervisor: Dr. Christine Casey
15,000 words
Captured on Canvas – the Questionable Portrayal of Black People in Dutch Art of the Seventeenth Century
Captured on Canvas – the Questionable Portrayal of Black People in Dutch Art of the Seventeenth Century
Peter Lumsden
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Northern Baroque Art
Country: The Netherlands
Period: 17th Century
Supervisor: Associate Professor John Loughman
95 pages
The Work and Practice of Pat McAuliffe, c.1870-1914
Sean Lynch
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2004
MA
Subject: Sculpture
Country: Ireland: Kerry
Period: Late 19th and Early 20th Century
Supervisor: John Logan
Approx. 33,000 words
"Hand to the Friend, Fist to the Foe": From Brotherly Hand Shake to Militant Clenched Fist
Maureen Lynch
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA
Subject: Art
20,000 words
The Art of P.J. Lynch
Ann Mac Canna
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Illustration
Country: England
Period: 20th Century to 21st Century
Supervisor: Dr. Christine Casey
15,000 words
William & May Morris: Their Irish Connections and Their Influence on the Dun Emer Guild, The Dun Emer Industries and the Cuala Industries
Margaret MacDonagh
University College Dublin
School of Art History and Cultural Policy
2017
MA
Subject: Irish Art
Country: Ireland
Period: 20th Century
Supervisor: Dr. Nicola Figgis
15,000 words
Fine Art Institutions and Acquisition Policy in Ireland
Niamh MacNally
University College Dublin
School of Art History and Cultural Policy
1997
MA
Subject: Museology
Country: Ireland
Supervisor: Professor McCarthy
15,000 words
Staff or Staffage: do Hogarth’s Servants Serve a Purpose?
Sarah Maguire
University College Dublin
School of Art History and Cultural Policy
2011
MA
Subject: Painting
Country: Britain
Period: 18th Century
Supervisor: Dr. Nicola Figgis
15,000 words
Plasterwork Techniques in Ireland 1700-1850
Eileen Maguire
University College Dublin
School of Art History and Cultural Policy
1995
MA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
Supervisor: Dr. Christine Casey
15,000 words
The Portrayal of the Order of Santiago in Spanish Painting of the Golden Age
Yvonne Mahon
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Spain
Period: 16th and 17th Century
Supervisor: Dr. Philip Cottrell
15,000 words
Robert West, Plasterer and Masterbuilder
Sheena Malone
University College Dublin
School of Art History and Cultural Policy
2002
MA
Subject: Architecture: Plasterwork
Country: Ireland
Period: 18th Century
Supervisor: Dr. Christine Casey
15,000 words
The Nastagio Degli Onesti Panels
David Mangan
University College Dublin
School of Art History and Cultural Policy
1997
MA
Subject: Painting
Country: Italy and Spain
Period: 15th Century
Supervisor: John O'Grady
15,000 words